A Quote by Terrell Suggs

You will have to look at the tape. Actually, you could burn the tape. It's not even worth looking at... We just have to move on to next week. If we just get the next one we will be fine.
When we had the San Francisco Tape Music Center, we had a couple of Ampex tape machines there, and I could string tape from one machine, past the heads, and over to the next machine to the supply-reel amp, and have another delay there.
What we do is just race hard on the track every week. That's the way I'd like it to be documented, and if we watch the tape, we'll see that the No. 48 swerved into us first and I know that, before even watching the tape.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film.
I don't know where I see myself next month let alone five years. My whole life is last minute. I enjoy the spontaneity of it; I like not knowing what I will do next or whether I will be in the country next week. I just enjoy being around a creative environment.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language.
I've discovered that, in order for life to go on, you have to believe in necessary fantasies such as what you think is going to happen next week will actually happen, the people who are alive right now will be alive next week.
Maybe this is what the future will look like: fresh, clean water will be so rare it will be guarded by armies. Water as the next oil - the next resource worth going to war over.
Maybe I'll start from the initial idea, what motivated me to do that. In 1953, I had access to a tape recorder. Tape recorders were not widely available. There was no cassette tape back then. It was a Sears Roebuck tape machine. I put a microphone in the window and recorded the ambience.
So, I bought a new CD and I was trying to get it open but couldn't with all the layers... I mean plastic and then tape, and the tape is like government tape. It says 'open here.' Is that sarcasm?
I was taught to think the next week or month or year will only get better than it is today. So I just keep waiting to see how great it will get!
Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.
That first tape I did dropped in 2009. It was just for fun, I'm like 'I'm just going to do something to have fun.' Everyone was just 'put out a tape. You're young. You've got money. It ain't gonna hurt you. Who's it gonna hurt?' So what I ended up doing was I put out the tape, pressed up 20,000 CDs, flooded the streets.
This is going to sound ridiculous, but I read in an interview with Lil Wayne that he recorded a mixtape of something like 50 straight minutes of him rapping all of his material because he felt like he could never move on to the next phase of his musical exploration if he didn't get it down on tape.
I walk with the Lord, just trusting day by day and week by week and month by month, what the next season holds and what the best next move for me is.
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