A Quote by Terrell Suggs
For my first feature film, I just wanted to write something that people can relate to, something that was real. I really wanted it to hit home with people.
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When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
I knew that I wanted to create rich themes, and something that people might really relate to emotionally. That was the quest, authenticity, and then just to make the audience feel something.
I wanted my first film to be something where I was surrounded by an amazing cast. I wanted to do something that was completely unexpected, totally out of the box, something that would blow people's minds, that the last thing on the planet earth they would ever think I would do would be it.
After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
I wanted to write in film or something like that. I thought acting was an embarrassing thing to say you wanted to do, especially when you're young. It seemed really uncool.
I feel like something I've wanted to do for a really long time, in a feature film or anything, is playing a rocker. Somewhere where I can be on a stage and have a guitar or a microphone and just kind of jam out.
But I had never drawn on a tablet before. I've been doing pencil and paper and film for almost 20 years. I wanted to try something different. I wanted to teach myself some digital stuff in advance of a bigger feature project that's coming up, and I took to it really quickly.
I have the speed. People said, 'Just hit the ball on the ground, slap the ball, just get on base.' But I wanted to be able to hit home runs. I wanted to be able to bunt, steal bases, play defense.
I was thinking I would love to make something that is a successful film that everybody sees, but I wasn't thinking about the actual dollar amount. I just wanted to make a great film that people responded to. That's always a good ambition because you'll never totally hit it.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
When I started to write music, I desperately wanted to relate to people. But when I became famous, I could relate less. I thought, 'Oh, am I trapped in my own creation?' I was really lonely.
I wanted to write stories for myself. At first it was purely an aesthetic thing about craft. I just wanted to become good at the art of something. And writing was very private.
So many people wanted an adventure. It was really more about finding the cast that I wanted for 'Expedition Impossible,' so it had good diversity, and people could really say, 'Oh, there's the firefighters, there's the team of cops, there's the grandpa' - so that you can really relate with them.
I think it's just really made me appreciate life more. I've known people die before that and I was really rattled by it but when it hit so close to home ... it was just so different. I just thought about what I really wanted to do. I want to be a pro surfer and that's what I'm going to do.
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
I wanted to do something in film. I wanted to make my own movies. Something clicked in my brain, like, 'Oh, I can physically act! I can go on open casting calls and audition for something.'
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