A Quote by Terrell Suggs
I'd like to think that my mentors, I've had the highest of education and one thing I've always noted, they were always writing stuff down, taking notes.
Related Quotes
I always wish I'd had more mentors, better mentors, wiser mentors, people who were proper professional working musicians to guide me as I was coming up.
I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
I realized Michael was right. I mean, I am always writing in this journal. And I do compose a lot of poetry, and write a lot of notes and emails and stuff. I mean, I feel like I am always writing. I do it so much, I never even thought about it as a talent. It's just something I do all the time, like breathing.
So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.
I'm always writing; I'm always jotting things down on paper or making notes in my iPhone. Then I'll make myself sit down and kind of shape it up, but there's really no other way to practice other than onstage.
I don't think we ever sat down in the early days and said "hey lets be a band that wears make up". I think it was just natural for us. We grew up loving stuff like Alice Cooper, Kiss, The Misfits, and the more theatrical stuff. I always loved rock stars. I loved David Bowie and Freddie Mercury, and these people that were larger than life and iconic. I think that is what we always wanted to do.
The way I build stuff in my mind, it's sort of like a puzzle for me. I always talk about it like, when I'm writing a scene there's a certain feeling I'm trying to create. I'll have my list of scenes and it's more like feelings, these notes I want to hit.
Before I left for the bubble, a couple days prior I started taking notes on everything I was doing, how my workouts were and stuff like that. I just did it throughout the bubble. It does help me for sure. It keeps me locked in, just always reminding myself of what I need to do.
People think that writing is writing, but actually writing is editing. Otherwise, you're just taking notes
I used to go to all the environmental conferences when I wasn't an invited speaker. I was just somebody in the back taking a lot of notes. It was when I was least visible that I came up with the most cool stuff. Now, because I don't get to be Clark Kent, I feel like my learning curve is slowing way down. I'm always afraid the conversation will move on and I'll be up at the front of the room saying last year's speech.
I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.
Writers have always liked my stuff, pretty much. That's what I wanted - I think my goal wasn't to get rich and famous, necessarily, though I cared about that. I always thought, "Oh, this could be a hit," or "that will sell records." But the first thing I wanted was that people who knew a lot about music, or had taste-making qualities, they would like my stuff. Writers, people like that.
We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.
When I was coming up, everybody wanted to be Tom Hanks. There was always Robert De Niro and Al Pacino - they were the heavily dramatic stuff. I always had a foot in both camps. The hardest thing was to resist the advice to be like someone else. It took me a while to figure that out.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
Related Authors
Andy Dalton Quotes
American
Footballer
Carson Palmer Quotes
American
Footballer
Charles Woodson Quotes
American
Footballer
Cristiano Ronaldo Quotes
Portuguese
Footballer
David Beckham Quotes
English
Footballer
David Icke Quotes
English
Footballer
Gary Lineker Quotes
English
Footballer
Howie Long Quotes
American
Footballer
LeSean McCoy Quotes
American
Footballer
Pedro Quotes
Spanish
Footballer
Ray Lewis Quotes
American
Footballer
Stanley A. McChrystal Quotes
American
Footballer
Tobin Heath Quotes
American
Footballer
Tom Brady Quotes
American
Footballer
Wes Fesler Quotes
American
Footballer