A Quote by Terrence Howard
The Oscar is the fantasy that you're afraid to believe in, but in the secrecy of your dark room, you dream and wait for it.
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When you get into a hotel room, you lock the door, and you know there is a secrecy, there is a luxury, there is fantasy. There is comfort. There is reassurance.
I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.
I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
We crave a world of either/or, but the Dream says, Both/and. We build a wall between our social persona and our inner selves; the Dream bids us, Demolish it. We wish to believe we're separate from one another, but the Dream insists, We are in this together. We are pleased to believe Time is a one-way river from past to present to future, yet the Dream reveals, All three times flow into one. We wish to seek pure virtue and avoid all stain, but the Dream avers, The dark and the light are braided and bound.
When you wake up from a dream you have only a few precious moments before the details of the dream begin to dissipate and the memory fades. Not all dreams are significant or worth remembering. But the ones that are . . . happen again. So, wait for the dream to return. And never be afraid. Instead, consider it an opportunity to learn something profound and possibly wondrous about yourself.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Once a month I wake in the night, slippery with terror. I'm afraid, not because there's someone in the room, in the dark, in the bed, but because there isn't. I'm afraid of the emptiness, which lies beside me like a corpse.
I'm afraid. I know L. I don't want you to get hurt. I won't. What if you do. I'll wait for you. Even if I'm dark? Even if you're very very dark.
For fantasy is true, of course. It isn't factual, but it is true. Children know that. Adults know it too, and that is precisely why many of them are afraid of fantasy. They know that its truth challenges, even threatens, all that is false, all that is phony, unnecessary, and trivial in the life they have let themselves be forced into living. They are afraid of dragons, because they are afraid of freedom.
There was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves
If I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams,I have to be content with my own imagination—which is almost as good. I can picture all those things perfectly.
You might be afraid of the dark, but the dark is not afraid of you. That’s why the dark is always close by.
I dream dark dreams. I dream of a figure moving through the forest, of children flying from his path, of young women crying at his coming. I dream of snow and ice, of bare branches and moon-cast shadows. I dream of dancers floating in the air, stepping lightly even in death, and my own pain is but a faint echo of their suffering as I run. My blood is black on the snow, and the edges of the world are silvered with moonlight. I run into the darkness, and he is waiting. I dream in black and white, and I dream of him. I dream of Caleb, who does not exist, and I am afraid.
I am not afraid to dream. You first have to start with a dream. Build your castles in the air and give it foundation. Without a dream, you are not going to get anywhere.
Everyday happiness means getting up in the morning, and you can't wait to finish your breakfast. You can't wait to do your exercises. You can't wait to put on your clothes. You can't wait to get out. And you can't wait to come home, because the soup is hot.
The whole question of pornography seems to me a question of secrecy. Without secrecy there would be no pornography. But secrecy and modesty are two utterly different things. Secrecy has always an element of fear in it, amounting very often to hate. Modesty is gentle and reserved. Today, modesty is thrown to the winds, even in the presence of the grey guardians. But secrecy is hugged, being a vice in itself. And the attitude of the grey ones is: Dear young ladies, you may abandon all modesty, so long as you hug your dirty little secret.
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