A Quote by Terrence Howard
And when I stopped doing that and started thinking about what feels natural and what feels right to me and started pleasing myself, then it became good.
Related Quotes
I think I probably am doing animation because I started as a kid and I learned on my own, and I worked by myself a lot. It's the only thing I really prepared myself to do in any kind of depth. And I've just kind of imbibed the technology and techniques and the thinking about telling stories this way. It just feels natural to me.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
I was a painter, then a novelist, then a journalist, then a screenwriter, and now I'm a director, and it feels all part of the same continuum. One led to the other, and it just feels like the natural confluence of all the ways of storytelling that I've been doing for almost 30 years.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
When I started to allow myself to not be locked into wearing men's clothes, things kind of opened up. It feels very kind to drape yourself in something that feels special.
I stopped worrying about people; I started thinking that I would be answerable only to myself.
I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.
My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that
If something feels right, I do it. If it feels wrong, I don't. It's really very, very simple, but you've got to be willing to take your chances doing stuff that may look crazy to other people - or not doing something that looks right to others but just feels wrong to you.
I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
That feels natural to me, singing in a small group of people I just can't do. You'll never hear me sing at a dinner table or anything, but this feels kinda natural. I've done it many, many times. So, and also, the pressure's off me cos I'm not singing on my own. I'm just doing a few harmonies with my stuffed nose.
If a person was accused of being a racist when he was young - he said some racially insensitive thing or someone had him on tape calling someone the n-word or whatever - and then you fast forward and he feels, Oh, back then I didn't say this or that. He's not thinking about the person that he hurt when he said what he said, or however it came out, or the effects that it could have had. He's not thinking about it. He's thinking about his own self and how he feels.
But when culture becomes a baggage, things don't work. What is good about anything that feels like a baggage? I think we should let go when it feels like a burden. Hold on to the things you love. Then it will be a natural process.
Well, whenever I visit New York it feels pretty romantic, so I sometimes think about coming back here. But then I wonder if it's just 'cause I'm visiting that it feels so good. But also, Minnesota. I could imagine myself finding a place in Minneapolis.
Music feels so environmental to me, especially the process of working with synths or mixing. I started thinking about music as a psychological landscape as well. It's a landscape of the mind.
Related Authors
Arnold Schwarzenegger Quotes
Austrian
Actor
Benedict Cumberbatch Quotes
English
Actor
Bruce Lee Quotes
American
Actor
Clint Eastwood Quotes
American
Actor
Daniel Radcliffe Quotes
British
Actor
Dwayne Johnson Quotes
American
Actor
Jeff Bridges Quotes
American
Actor
Johnny Depp Quotes
American
Actor
Kevin Hart Quotes
American
Actor
Kevin Spacey Quotes
American
Actor
Leonardo DiCaprio Quotes
American
Actor
Rob Lowe Quotes
American
Actor
Robert Pattinson Quotes
English
Actor
Sylvester Stallone Quotes
American
Actor
Will Rogers Quotes
American
Actor
Zach Braff Quotes
American
Actor