A Quote by Terrence McNally
There are so many rules about play writing. I'd have a nervous breakdown if I followed them.
Related Quotes
I'd have a nervous breakdown except that I've been through this too many times to be nervous.
Many of our students want to do what they have done and that has made them successful thus far in their lives: play by the rules, and do what is expected. But as much social science research and writing by Malcolm Gladwell, among others, make clear, the rules are mostly created by those already in power so obtaining power often entails standing out and breaking rules and social conventions.
In the 1880s, a weedy Easterner named Owen Wister had something like a nervous breakdown. Wyoming, with its wide-open spaces and healthy pursuits, was prescribed as a cure. Wister was immediately smitten by the taciturn cowboys and the rules imposed upon them by the cattle barons.
These are party-sanctioned debates. This is a presidential election, you show up at the debates. These are the rules. We have a series of unwritten rules of how campaigns are run, and everybody has followed those rules consistently over the decades. And no one has really even seriously thought about breaking them.
There can be a science to joke writing, there are certainly rules and patterns that can be followed, but I think most of the best comedy goes beyond the rules.
Writing for videogames is really unique. You learn all the rules of writing, but there's a whole other set of rules for game writing, and we're changing them as we move along as well, which makes it more challenging.
I've got a group who can't play music, one bad comedian plus boyfriend, a nervous breakdown calling himself a magician, two coachloads of 70-year-old religious maniacs looking for a fight and a fancy-dress contest that nobody knew about.
It was a struggle to find myself. I was on the verge of a nervous breakdown. There were too many defeats. I finally admitted defeat and went into therapy.
There are comedic rules and formulae and, while these tenets should be respected, especially by a newcomer, perversely you can still succeed by openly contradicting them. Because comedy is about breaking the rules. Even its own rules. Though, as with many disciplines, it is wise to master the basics before you attempt to subvert them.
I have a slight controversy with the Dogme brethren because I've been saying that rules are to be interpreted; not that I haven't followed the rules, because I don't see the point of submitting yourself to a set of rules if you don't follow them. But having said that, it is always a lot of interpretation.
The biggest trouble with success is that its formula is just about the same as that for a nervous breakdown.
There are rituals not structures for being a poet, drinking too much, taking too many drugs, being a lady chaser, having your nervous breakdown, being irresponsible about money.
There is an argument for believing that the entire process of writing a piece of fiction is simply a thinly-controlled and highly-internalised nervous breakdown designed, with a bit of luck, to produce something worthwhile at the end.
Not many people sleep with other men and when the other man leaves have a nervous breakdown.
It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
I play with microbes. There are, of course, many rules to this play...but when you have acquired knowledge and experience it is very pleasant to break the rules and to be able to find something nobody has thought of.
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