A Quote by Terri Windling
Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller.
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We didn't have cable TV. We just couldn't afford it. But you don't need cable to watch the Masters. In 1997, at the exact moment I started out, I watched Tiger Woods win the Masters.
When we walk, we naturally go to the fields and woods: what would become of us, if we walked only in a garden or a mall? Even some sects of philosophers have felt the necessity of importing the woods to themselves, since they did not go to the woods. They planted groves and walks of Plantanes, where they took subdiales ambulationes in porticos open to the air. Of course, it is of no use to direct our steps to the woods, if they do not carry us thither.
I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.
It's so important as a creative person to go out and look for things. Go to galleries, talk to people, read books. Yes, you can just type something into Google, but if you read and interact, you'll have a deeper understanding of the world.
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
The Masters is not greedy. You wanna buy a Masters souvenir logo shirt? Sure, let's go over to the nearest Ralph Lauren boutique. Oops, you can only purchase Masters memorabilia at the Masters, this one week of the year.
What can you do. You get a name, you're called 'Thomas Bernhard', and it stays that way for the rest of your life. And if at some point you go for a walk in the woods, and someone takes a photo of you, then for the next eighty years you're always walking in the woods. There's nothing you can do about it.
I'm obsessed with the countryside: woods, forests, fields, lakes, mountains. I'm really into folk music and folklore. But more so I'm into electronic music. I'm into bands that have both aspects, like Boards of Canada is a perfect example. You could listen to that type of music running through a woods. It's kind of what I wanted to achieve.
Sometime when I was in my mid-twenties I noticed, "Hey, even I don't go into too many art galleries. Why? Because I don't like the vibe in them. If even I'm not going into galleries, then who goes into art galleries in the first place?" It's just a certain, very narrow percentage of the population.
My music represents walking on train tracks in the middle of the woods, somewhere in the middle of nowhere. You walk down the tracks and you're walking every two tracks, and you've got your headphones on, and on both sides you've got forest, and in your rear is this long line of train tracks that's weaving through the woods. It's a very cool place, to walk along the train tracks because of the rhythm of walking every few feet through the woods. It's a good place to go dream.
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of "phonies" in all the arts.
In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.
He needed fresh air and sunshine. A walk in the woods and afterward a good book to read by the fire. Yeah, that was the life.
I do the same things I did when I was 12 years old: I ride bikes, I read books, I walk in the woods. And I listen to music.
There aren't that many galleries in Havana. There are a few state galleries and an ever-increasing but still limited number of independent galleries; there's no comparison with the number in New York.
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