A Quote by Terry Bozzio
From the time I started playing solo drums, doing clinics and stuff, you know I think one of the largest selling clinics I ever did was in Chicago.
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People ask me all the time, 'Why don't don't you ever do drum clinics?' And my reply is always that I like playing music; I want to play with a band.
Malmo, with its 280,000 residents, is Sweden's third-largest city. To see a physician, a patient must go to one of two local clinics before they can see a specialist. The clinics have security guards to keep patients from getting unruly as they wait hours to see a doctor. The guards also prevent new patients from entering the clinic when the waiting room is considered full. Uppsala, a city with 200,000 people, has only one specialist in mammography. Sweden's National Cancer Foundation reports that in a few years most Swedish women will not have access to mammography.
I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
It seemed so wimpy at first when I started to play [guitar]. So I started playing loud with lots of effects just to try to mimic the dynamic [of the drums]. Drums seemed a lot more expressive. [I was] Trying to emulate the feeling of playing the drums on the guitar - I guess that's why I played it so loud.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
My cousin Joey played the drums. We used to go to his house, I liked beating on his drums. I beat the hell out of 'em, you know? Finally in 1961, I don't know, I guess I was about 15, I got serious about it. My parents bought me a little drum set and I was playing for about 6 months when I started doing gigs.
After spending more than 17 years playing for the NBA, in the summertime, I always came back to community service and different basketball clinics.
You have to remember that coaching wasn't sophisticated back then - you didn't have the camps, clinics and all the technical advances that are available today - so from that standpoint, playing with a cast on my arm was a fortunate event in my life.
I don’t think the drums are a solo instrument. Drums are there to set the beat for the music.
The whole having records and selling records and being on TV, that was something that I didn't ever think would be for me. I thought that would be for other people. All I wanted to do was make a living playing the drums.
I used to play the drums. When I was 11 I got my first professional job, I played drums in a cabary and played Elvis and stuff, I used to play left handed actually. Then I started to pick up the guitar when I was around 15, but I played the drums for a long time.
I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.
I got so lonely in 2012 and I wasn't playing drums. I thought I would just form my own band and play drums again. I think it was 2013 that we started looking for two other people and formed Day of Errors.
I started out on guitar when I was nine years old, and I started playing bars and stuff when I was thirteen, and I've been playing ever since.
For instance, we have the largest Polish population of any city except for Warsaw, and the largest Lithuanian population outside Lithuania. More Italians, Greeks, Irish, Latinos, Serbians, and Croatians than you can shake a stick at. Chicago has it all, I don't know why I'd ever leave.
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