A Quote by Terry Eagleton
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
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We have a tradition of passing our history orally and singing a lot of it and writing songs about it and there's kind of a calling in Irish voices when they're singing in their Irish accent.
Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
I like to do the research of history and the creativity of writing fiction. I am creating this thing which I think is twice as difficult as writing either history or fiction.
'A Naval History of Britain' which begins in the 7th century has to explain what it means by Britain. My meaning is simply the British Isles as a whole, but not any particular nation or state or our own day... 'Britain' is not a perfect word for this purpose, but 'Britain and Ireland' would be both cumbersome and misleading, implying an equality of treatment which is not possible. Ireland and the Irish figure often in this book, but Irish naval history, in the sense of the history of Irish fleets, is largely a history of what might have been rather than what actually happened.
I'm going to fight to bring us all together, we're a divided nation. Very divided nation right now. We're going to be unified nation, a nation of love.
I've never believed it's a fiction writer's job to create an exact replica of the past, a diorama the reader can step right into. But it is my responsibility to learn everything of the world I'm writing about, to become an expert in the politics and history that formed my characters' identities.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
If, in schools, we keep teaching that history is divided into American history and Chinese history and Russian history and Australian history, we're teaching kids that they are divided into tribes. And we're failing to teach them that we also, as human beings, share problems that we need to work together with.
Irish nationalists can never be the assenting parties to the mutilation of the Irish nation. The two nation theory is to us an abomination and a blasphemy.
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths. As for nonfiction, for history, it may be real, but its truth is slippery, hard to access, with no fixed meaning bolted to it. If history doesn't become story, it dies to everyone except the historian.
Bangkok is one of those places where it's so rich and full of tradition, but they're so open to different people - different gender expressions and gender identities. As a gay man, I never once felt uncomfortable there. As a black man, I never once felt uncomfortable.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
The World Has Divided into Rich and Poor as at No Time in History
In 1930s mysteries, all sorts of motives were credible which aren't credible today, especially motives of preventing guilty sexual secrets from coming out. Nowadays, people sell their guilty sexual secrets.
I had studied Irish history. I had read speeches from the dock. I had tried to fuse the vivid past of my nation with the lost spaces of my childhood. I had learned the battles, the ballads, the defeats. It never occurred to me that eventually the power and insistence of a national tradition would offer me only a new way of not belonging.
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