A Quote by Terry Goodkind

After that, I came back every year. Everyone said, 'Well, when you retire you can move there.' But I said, 'Why should I live my whole life where I don't want to be.' — © Terry Goodkind
After that, I came back every year. Everyone said, 'Well, when you retire you can move there.' But I said, 'Why should I live my whole life where I don't want to be.'
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
Then he exploded. "No!" he said. That familiar injunction. I'd heard it so many times. "No. I cannot take this steel. It would not be correct." He opened his knife drawer. "It goes here," he said, "until you return."(That's how you leave: by never saying good-bye.)And I learned that: to return. I came back the following year and the year after that. I hope to return every year (after all, I may never have the chance to learn so much), until I have no one to return to. (301)
I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, 'Are you planning on going into journalism?' I said, 'Yeah.' He said, 'I wouldn't.' I said, 'Well, why not?' He said, 'You can't make a living.'
It was in the back of my mind, even while I was going to school, but it wasn't until I was at university studying engineering that I thought, well what do I really want to do? And I kind of came back to that and I said, well the degrees I'm trying to get are going to qualify me to apply. And so, that's what I did after I finished my, or after I was getting my doctorates. That's when I first applied to NASA.
Three publishers came to me at the White House after George lost and said, 'We would like to publish your book.' I said, 'Well, I don't have a book,' and they said well it's a well known fact that you have kept diaries.
For years I've wanted to live according to everyone else's morals. I've forced myself to live like everyone else, to look like everyone else. I said what was necessary to join together, even when I felt separate. And after all of this, catastrophe came. Now I wander amid the debris, I am lawless, torn to pieces, alone and accepting to be so, resigned to my singularity and to my infirmities. And I must rebuild a truth-after having lived all my life in a sort of lie.
I spoke to my parents and my agent a year before Rio. I was like: 'I don't want to do this. I want to get away.' They said: 'Just grit your teeth for a year. Then you can have your break. And if you want to retire, you can retire then.' I was in tears. I just hated it.
I saw a close friend of mine the other day. . . . He said, "Stephen, why haven't you called me?" I said, "I can't call everyone I want. My new phone has no five on it." He said, "How long have you had it?" I said, "I don't know . . . my calendar has no sevens on it."
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
I wanted to retire after I played for the Mets. My family said wait one year, that there was no need to rush it. I gave it a year and now it's time to say goodbye.
What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
Someone said to me the other day: "Well, you're eventually going to live until 110." And I said: "Well, who's going to keep me? What age do I retire? 100?" How are you going to live all those years and who is going to keep you doing it? I have a couple of grandchildren now so I'm banking on them.
I'm getting a girlfriend soon," said Michael in a serious tone, and everyone laughed. "You've got plenty of time for that, kiddo," said his father. "No need to rush." "Well, I don't want a boyfriend, Daddy," said Madeline. "Boys are dirty, and they make a mess when they eat." "I'd imagine the six-year-old ones would." Xavier chuckled. "But don't worry, they get better at it.
I just remember when my first child was born I called the personnel office and I asked them about their leave policies. And they said, "Leave policies? Women just leave and they don't come back." And I said, "But I want to come back." They said, "We have no leave policy." And then they said, "Why don't you apply for disability?" Well, having a child is not a disability.
I just went to Europe, spent a year traveling, and then I came home with a finished album and said, "Hey everyone I'm back!" I gave everyone their lighters from Luxembourg, gave them the postcards from Italy and Rome, then said, "Hey look, I made a record, too" and played it for them. The general reaction was shock, because it was so different from what they've known me to do.
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