A Quote by Terry Goodkind
They look at me and I kind of back up in case they go for my throat.
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I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
I know people who go back and check themselves, but it drives me crazy. Everybody wants to look in the mirror and see Cary Grant looking back at them, but that's just not the case.
I don't at least for me I don't ever really look for trends. I'm looking for just what captures my attention at that time and rarely do I ever look back and try and put together trends or say this kind of trend is important. For me it's about the individual expression and if you go back and look through the archives you might find certain things become trends, but it's just not something that particularly interests me.
I had a sore throat for a long time and it scared me. I saw a lump in my throat and I was terrified. I wouldn't go to a doctor.
I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.
Work hard on each opinion, but once the case is decided, don't look back; go on to the next case and give it your all. It's not productive to worry about what's out and released, over and done. That's advice I now give to people new to the judging business.
If it winds up earlier, you should have a movie picked out. This is assuming she isn’t sending you the ‘let’s go back to my place’ signals. In that case—” “Don’t go there, Bob. Let’s just not go there.
When I eat cilantro, it's like someone sprayed perfume down my throat. It closes up my throat, even if there's only a little piece. I like Mexican food, and I'll go out to a Mexican restaurant and tell them, 'Look, I will die if you get cilantro in my food.' Then there's always that one little piece that falls in, and I gag.
After dinner or lunch or whatever it was -- with my crazy 12-hour night I was no longer sure what was what -- I said, "Look, baby, I'm sorry, but don't you realize that this job is driving me crazy? Look, let's give it up. Let's just lay around and make love and take walks and talk a little. Let's go to the zoo. Let's look at animals. Let's drive down and look at the ocean. It's only 45 minutes. Let's play games in the arcades. Let's go to the races, the Art Museum, the boxing matches. Let's have friends. Let's laugh. This kind of life like everybody else's kind of life: it's killing us.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
If you have to go back through your day in your head, try to go back to only the good things. Look at those, and what you did well. Otherwise, life kind of passes you by.
I want you to go back into the barrack and tell the men to come out after the storm. Tell them to look up at me tied here. Tell them I’ll open my eyes and look back at them, and they’ll know hat I survived.
Years go by. I go here, I go there, I have all sorts of adventures, and then I look back and say, 'Wow that's kind of an unusual way to live your life.'
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
So much could go wrong on a date. What if he turns out to be a jerk? [You need] A back-up plan, just in case he doesn't work out, you can move on to the back-up plan.
People look at me and go, 'He's only successful because he's got a bunch of 16-year-old girls at his back who don't understand comedy.' Well, they do. In any case, no one hates me more than I do; no one's more self-conscious about that than I am.
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