A Quote by Terry Gross

I love the edited version of it. — © Terry Gross
I love the edited version of it.
Often real life is boring and problematic. I love the edited version of it.
What I meant when I say that the media are bots, I don't want anybody misunderstand this. I'm watching CNN and one of their infobabes is doing this report on Al Franken questioning [Jeff] Sessions during the confirmation hearings. I'm convinced - and they played an edited version of it. It was edited by somebody to make it look like it was something other than what it was, and I'm convinced this infobabe hasn't the slightest clue.
When you see an early edited version, you're not sure what it is. The movie is getting on its wobbly legs.
In media terms, the camera always lies, providing an edited version of reality.
After my marriage she edited everything I wrote. And what is more, she not only edited my works, she edited me.
Every couple has two stories - the edited one to be shared from the couch and the unabridged version best left alone.
People need to be edited; life needs to be edited. I need to be edited.
I love memoirs and biographies, learning about other people's lives. Two of the ones that I loved so much were actually edited by the same person who edited my book, too. I loved 'Angela's Ashes.' I loved 'Glass Castle' so much.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
I am fine with 'Puppy Love.' I hated it for a while. But I still sing it. I have a country version, a sexy version and a cheesy nightclub version. I am trying to infuse it with maturity. I will never escape that song. I will always be Mr. 'Puppy Love.'
Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love's hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.
Watching the completed version of The Two Towers for example, I was very conscious of scenes - sometimes whole sequences - that I had seen being filmed or edited but which hadn't made it into the final cut.
Back when the Bible was written, then edited, then rewritten, then rewritten, then re-edited, then translated from dead languages, then re-translated, then edited, then rewritten, then given to kings for them to take their favorite parts, then rewritten, then re-rewritten, then translated again, then given to the pope for him to approve, then rewritten, then edited again, the re-re-re-re-rewritten again...all based on stories that were told orally 30 to 90 years AFTER they happened.. to people who didnt know how to write... so...
Anyone with an inbox knows what I'm talking about. A dozen emails to set up a meeting time. Documents attached and edited and reedited until no one knows which version is current. Urgent messages drowning in forwards and cc's and spam.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
I enjoy twitter accounts that are meticulously edited just as much as I enjoy twitter accounts that aren't edited at all, but it can feel kind of disappointing to me when I see that someone is editing their tweets out of self-consciousness.
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