A Quote by Terry Gross

So the Great Santini was how he liked being referred to by his children. He would line up his seven children, and there was this ritual we'd go through. And he would say, who's the greatest of them all? And we - the seven - would say, you are, oh, Great Santini. And he would say, who knows all, hears all and sees all? You do, oh, Great Santini. So this was the ridiculous way I was raised.
My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.
I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.
One of my earliest memories, movie-related or otherwise, is of seeing a man dunking a man's head in a toilet on television, and my mom telling me that this is what would happen to me if I ever joined the Army. It wasn't until my senior year in high school that I would discover that this was a scene from 'The Great Santini,' starring Robert Duvall.
I had a friend who had two degrees of being made up: when invited I would say 'Can I make up?' and he would say 'Oh yes - tinted?', or he would say, 'Oh yes - clotted?'
When I was growing up, my father would gather all of his children, seven brothers and seven sisters, around the television set and we would religiously watch every time Notre Dame played.
The greatest thing I could do is shoot that ship that's 30 miles offshore right out of the water. Everyone in this country will say, oh, that's so great. That's not great. That's not great. I would love to be able to get along with Russia.
I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
Well cult is a word you would never say in Hollywood. In any film business, if you're trying to get your next film made, you would never say, "Oh, my last film was a cult film." I'd say, "Oh great, well I hope this one isn't!"
I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.
I do like Pat Conroy, and 'The Great Santini' is an iconic book.
I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it.
Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."
In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'
My parents didn't want to believe their son was 200 feet up, free-soloing. They liked to go on long walks and runs, and they would go right by Joe English. Later they'd say, 'Hey, we saw someone climbing up there.' They would describe what they saw, and I'd be wearing the exact same outfit. And I'd say, 'Oh... Nope, wasn't me!'
I would encourage my children to protect themselves if there's any sort of physical abuse against them. I would definitely go speak to the perpetrator, and if the perpetrator was a child, I'd speak to their parents. But I ... Oh my God, I don't know what I'd do if I was privy to watching my kids being bullied! I would do what any parent would, I'd be like a grizzly bear protecting his cubs.
The problem with Deep South to me is that there was a group that were tight with the boss, and they would always go out and drink and have barbeques. Then, when WWE would say, 'Who should we look at?' Bill Demott would say, 'Oh, look at this guy and this guy.' Of course those were his buddies.
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