A Quote by Terry Gross

When I hear a politician speak biographically, I never know what's part of the campaign biography narrative that's been carefully crafted. — © Terry Gross
When I hear a politician speak biographically, I never know what's part of the campaign biography narrative that's been carefully crafted.
I've never met a politician I haven't wanted to walk away from, and I've yet to hear a politician speak and actually believe the words coming out of his mouth.
For me, I have never walked a path that has been carefully crafted or charted. I have gone into territory unknown on many an occasion.
There has never been a campaign where there hasn't been sniping from the outside and second-guessing. I hear the same sometimes from the Democratic side in terms of President Obama's campaign, so that's to be expected.
Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
President Obama is a poker player, which the media used as part of the narrative that he was more calculated and careful as a politician.
I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.
It's part of the reason I decided to speak out now. This was the tipping point for me. If it's O.K. for [David Petraeus ] to campaign for a job in the administration, then I'm going to campaign to get back out there, too.
I've been a politician and so I'm sometimes cynical about what politicians won't do. When I hear a politician say something that makes no sense whatsoever, I think there's one of two things there: There's money or the promise of money.
I don't know how much a photograph can add to a biography, the way a film or writing or narrative medium could. Because it's a frozen image.
It's not something that defines me. I'm not a half-Indian politician or a doctor politician or a gay politician for that matter... it is part of my character, I suppose.
For my part, I may speak it to my shame, I have a truant been to chivalry; And so I hear he doth account me too.
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
Zachary Jernigan can't write a bad story. He couldn't even if he tried. Each and every time I start one of his inventive, carefully crafted, thoughtful and mind-bending tales I know I’m in for a treat. This collection is sci-fi at its intelligent best.
This site uses cookies to ensure you get the best experience. More info...
Got it!