A Quote by Terry Gross
I know that everyone who listens to radio creates you in a visual image that they need you to have. Whatever that is, I thought, let them have it. Let me be who the listener needs me to be and let me not contradict that with the reality of my photograph and risk disappointing them.
Related Quotes
I know the audience wants to see me without clothes in my coming films. At the risk of disappointing them, let me say that it's simply not going to happen. I will not do any such film.
The whole image thing gets in the way. Then there are the guys that it excites them and it's what draws them to me. But I don't know whether they would care for me if I didn't have this image.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph.
I find that my entire life has come to me, and things happened without me planning them. You know, I never asked to photograph Princess Diana, and that made me more famous than I wanted. I never asked to photograph Madonna, and that pushed me to another level. There are things that just take you into the limelight.
I am no theologian. I am a layman. I am among those who are preached to, and who listen. It is not for me to preach. I should not willingly forego being a listener, a man who reads the Gospels and then listens to what others say that our Lord meant. But sometimes a listener speaks out, and listens to his own voice.
My approach with actors is to try and give them whatever it is they need from me. Direction to me is about listening and responding and realizing how much they need to know from me and how much they have figured out for themselves, really.
Because my parents took a risk on me not knowing a thing about me.They believed that in everyone there is potential - that by believing in someone, loving them, nurturing them, you can bring out that potential.
Whatever defamation of character my enemies are spreading about me, I do not feel the need to justify myself toward them. While discretion obliges me to remain silent, my duty compels me to prevent them from doing any more harm.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
I felt like for what I needed, Bad Boy got me... they got me covered. Especially Puff, man. He's going to be the first billionaire rap entertainer. At the end of the day, they need me. Other artists-labels don't need me, but Bad Boy and Puff needs me. And I need them. It goes both ways.
I know divers, and divers men know me, which love me as I do them: yet if I should pray them, when I meet them in the street openly, they would abhor me; but if I pray them where they be appointed to meet me secretly, they will hear me and accept my request.
Once, a French journalist told me that all my films are the same. I said, 'Excuse me? I work hard to make them different.' What she meant was that in my films there is a character that faces insurmountable odds, and they overcome them. But I thought that might be true, but you need certain factors for drama, and you need to overcome them.
When I speak everyone listens and that gives me pleasure - even Zlatan, who has got a strong personality. When I talk he listens to me and I explain why he has got to do this or that.
Whatever sympathy I feel towards religions, whatever admiration for some of their adherents, whatever historical or biological necessity I see in them, whatever metaphorical truth, I cannot accept them as credible explanations of reality; and they are incredible to me in proportion to the degree that they require my belief in positive human attributes and intervenient powers in their divinities.
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