A Quote by Terry Hayes

I got to know Australians well working on the 'Mad Max' franchise with director George Miller. — © Terry Hayes
I got to know Australians well working on the 'Mad Max' franchise with director George Miller.
I loved Road Warrior the first time. I saw The Road Warrior before I saw Mad Max, you know, I saw it in reverse order. And so I was, I've always been a fan of George Miller. This sequence I think got storyboarded after Fury Road came out I think as I recall. So I think, you know, we were inspired [making Maora].
In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
The new 'Mad Max' movie takes place in a post-apocalyptic world. I have a small part in 'Mad Max.' I play the old geezer who remembers what steak tasted like.
When John Kerry and Zell Miller and George Bush can agree on an issue, you know it's got legs.
When John Kerry and Zell Miller and George Bush can agree on an issue, you know its got legs.
I want to show you how Stephen Miller is just good, folks. He's simply good. He needs to be doing more of these. The first time he went public as a spokesman for Donald Trump was on This Week with George Stephanopoulos. Stephen Miller was unflappable. He didn't lose his temper. He smiled. It appeared that Miller knew he was talking with somebody who didn't know what he was talking about and remained composed and polite.
I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!
Working with George Miller was an education. It was eight college degrees in character development and directing all at once.
I was never Mad Max. I was just Max who was trying to get the best result for the team.
Working on the franchise and getting direction from George Lucas - it's something that I never thought would take place.
We had a work session [in "Moneyball"] where about 30 scouts came in and we're all riffing. And after it, [director] Bennett Miller said: Look at these faces and this is what we have to got to do. We got to get these guys in the scene.
I've always been an ambassador for Australians, non-Indigenous Australians and Indigenous Australians... I let people know about who I am and that I'm not just a basketballer, I'm a person who comes from a very rich heritage.
I have been wearing Air Max for so long, since I was seven playing around in the estate; I feel like I know my Air Max well.
When George Bush Senior [George HW Bush] was getting his alliance together to go into Iraq - to kick the Iraqis out of Kuwait - he rang me up. I was very close to George Bush Senior; I got to know him well as Vice President to Ronald Reagan. And George rang me up and said, "Oh, Bob," he said, "I'm having trouble with Brian [Mulroney]." He said, "He's got a big wheat trade with Iraq, and he doesn't want to upset that." I said, "You leave it with me."
I get very tense working, so I often have to get up and wander around the house. It is very bad on my stomach. I have to be mad to be working well anyway, and then I am mad about the way things are going on the page in addition. My ulcer flourishes and I have to chew lots of pills. When my work is going well, I am usually sort of sick.
What a lot of people don't know is that I got started as a professional gamemaker when I moved out to Texas to join George Broussard and Scott Miller and Allen Blum who created Duke Nukem, to join those guys and become part of the 'Duke Nukem 3D.'
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