A Quote by Terry Hayes
I've always had a great affection for espionage stories. I like weaving them, and I like thrillers.
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Look realistically at espionage thrillers again. They're not only alive, readers are excited about them.
I would love to do espionage like 'The Thomas Crown Affair,' that kind of thing. And I've always had a fascination with madams. It's interesting to me what that institution is like, how those women are.
I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I read a lot of thrillers because they're easy reading and I'm not a great flier. They take my head out of it. I like the fast pace and that you can't put them down.
I like thrillers. My style of movies are closer to thrillers.
My favorite types of movies to watch as a viewer are thrillers - I really have a soft spot for them, I love them. Especially psychological thrillers.
I love to see those paragliders weaving softly around Moon Point, their legs floating above you in the air. When they drift in for a landing, their feet touch the ground and they trot forward from the continued motion of the glider, which billows down like a setting sun. I never get tired of watching them and I've seen them thousands of times. I always wondered what that kind of freedom would feel like.
I'm always willing to help out when people have stories and they bring them to me. I also like the completely fun films like 'Patti Cake$.' My taste is, if it feels like it's something I'd like to see, then I'll get behind it.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
Organizations, whether they are nonprofits or enterprise, need to be aware that nation-states are coming after them for political espionage, economic espionage, or destructive attacks.
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
There could be great thrillers or great dramas or great comedies made in that world but everyone's afraid of it. So you have to do them as these crazy little independent movies.
I always had a deep affection for Malcolm and felt that he had a great ability to put his finger on the existence and the root of the problem. He was an eloquent spokesman for his point of view and no one can honestly doubt that Malcolm had a great concern for the problems we face as a race.
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