A Quote by Terry Kinney
Once you play something, then you get 20 more of those. So I've tried to avoid getting stuck. I try to take roles that are the opposite of the last thing I did as much as I can.
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Getting back into shape [after bringing twing] was challenging, like it is for anybody who has a baby. The first few pounds drop off really fast. And then you're like stuck with those last 10 to 20 pounds, let's say, and then you've really got to get disciplined.
I'm not getting into rooms for cis roles. I started my career auditioning for those roles, and then I went to play trans roles. And now, I feel boxed in.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
Now we may have more preachers out there than we have drinkers. But a fellow told me a story one time about a man down in Kentuckywhere they make bourbon. And he said you can take a jigger or two jiggers and get by all right. But if you try to take the whole bottle why you have lost what you started with. So don't try to take it too quick. And don't try to do all of it at once. I don't do much promising. I tell what my goals are and then I try to wrap it up and put a blue ribbon on it and get it delivered. We say put the coonskin on the wall.
Nowadays with the injury that I have, it's not easy, but the technology and procedures are so much more advanced than they have been in the last 20 years. They're getting unbelievable results and I'm anticipating I'll get those same results and come back stronger.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
When I started in the business, years ago, people would always say, "You better get as much work as you can now because, once you get over 40, it's over." I don't see that with TV. Maybe it's because I am getting older, but the kinds of roles I'm drawn to are more mature roles.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
The way I go about choosing roles is basically by just trying to pick the complete opposite of the last thing I did, or if it has someone else who I really have wanted to work with.
People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
People say I am stuck in childhood, but it's not that. I remember seeing a Matisse retrospective, and you could see he started out one way, and then he tried something different, and then he seemed to spend his whole life trying to get back to the first thing.
There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.
It's like an OCD thing, it's not as much something I enjoy. If I see a chapstick that I've never tried, I have to buy it. And then once that door's been opened, I have to check the whole store to see if there are more chapsticks that I don't have.
So much of being an actor is trying to force yourself into these roles and sometimes it's a good fit, and sometimes it's not a good fit... you have to get clear about what it is that you do and not try to be a bunch of other people. Not try to be that guy or try to play that part; find the roles that you do well.
Those small things, like giving a hug to man, I try to avoid it. Because I can see the situation is coming, and I try to prepare. But I remember the first time I did it, I was 16, and I was at the gymnasium, and it was a cosmopolitan thing, an international thing, a modern thing, but I never felt at ease with it at all.
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