The stage is a place where I can be wholly myself. Even though you're in front of people almost to be judged, it is a place without judgement.
For myself, I feel more natural writing stories or novels than writing plays. I feel more like myself, like I can express myself better, and like I have a greater clarity about what I want to do.
Policies are judged by their consequences but crusades are judged by how good they make the crusaders feel.
The natural response to evaluation is to feel judged. We have to mature to a place where we respond to it with gratitude, and love feedback.
When I applied to Stanford, I applied for graduate work in the PhD program, not to the creative writing program, mostly because though I had some vague ambition of becoming a writer and I was trying to write poems and essays and stories, I didn't feel like I was far enough along to submit work to some place and have it judged.
I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.
The whole trick is to make it feel like you're spying on real people's lives as they get through the day. When I'm writing, I have to trick myself as a writer. If I consciously say, 'I'm writing,' I feel all this pressure and somehow it doesn't feel as real as when it doesn't seem to count as much.
I use poetry to explain myself to myself. It is a way of investigating who you really are, what you feel, what survives the pressure of writing. There are a lot of things that you can't write down because they aren't true. You can only put down what holds water at the time that you are doing it.
I do not want to give my power, my self-esteem, or my autonomy, to any person, place, or thing outside myself... The only thing that matters is how I feel about myself, my personal integrity, and my relationship with my Creator.
I am writing to please myself, though there is a feeling in some place in my head that this may be publishable. I haven't been writing for nothing.
When I'm writing, sometimes it gets to that place where I feel like the piece is writing itself and I'm trying not to get in the way
When I'm writing, sometimes it gets to that place where I feel like the piece is writing itself and I'm trying not to get in the way.
You have to decide where the line is in such a complicated place like Saudi Arabia. I was so confused by the place - there's no simple story. It's a place that is really sensitive to how it is judged, particularly by people from the West. So in the end I thought: I'm just going to take the reader on my journey to try and understand this odd place.
I find it really liberating to be in a place where I am a foreigner in every way. I've lived with this all my life - this divide, this bifurcation. And in Italy, I don't feel it. There's none of that tension, only the expectation I place on myself to speak the language well. I find it relaxing. Something drops away, and I observe.
Somehow, failures in the public sector are always judged as systematic. The private sector thus exists to ride to the rescue - and their failures are only judged anomalies. A pretty nice arrangement for investors. The only people who suffer are the citizens.
I must fling myself down and writhe; I must strive with every piece of force I possess; I bruise and batter myself against the floor, the walls; I strain and sob and exhaust myself, and begin again, and exhaust myself again; but do I feel pain? Never. How can I feel pain? There is no place for it.