A Quote by Terry McMillan

Few writers are willing to admit writing is autobiographical. — © Terry McMillan
Few writers are willing to admit writing is autobiographical.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
I am very willing to admit that I have some poetical abilities, and as few - if any - writers, either moral or political, are intimately acquainted with the classes of mankind among whom I have chiefly mingled, I may have seen men and manners in a different phasis from what is common, which may assist originality of thought.
Superior leaders are willing to admit a mistake and cut their losses. Be willing to admit that you've changed your mind. Don't persist when the original decision turns out to be a poor one.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I think the most important thing to do is to be willing to listen, willing to care, and willing to admit mistakes and change your ways for the better!
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
I think what makes you feel so connected with certain writers isn't a matter of autobiographical detail, but that the emotions are real. The way some writers are able to channel themselves through the form.
All writers are autobiographical to a degree and writing about the nature of their inner life. My inner life has always been a struggle between my conception of myself and the world versus reality.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Like most filmmakers and writers, there are roots in my own life, but they are stories that I invent. There was a period of time in my life when I made directly autobiographical films where I truly told what happened to me. But, now, I don't make directly autobiographical films anymore. I am more for renouncing that and being in front of history. The large part of my work tells about something I know. It's close.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
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