A Quote by Terry Mosher
Many cartoons I've drawn have been controversial, perhaps a little before their time, certainly when I was getting started.
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I think part of it is the fact that they were kind of the first of its kind - there weren't a lot of cartoons for adults. People forget at the time that The Simpsons started out, it was controversial - the fact that they said "hell" and "damn" in a cartoon was a lot. America was in an uproar.
I was trying to be a writer, and I was kind of getting sidetracked, so I started doing cartoons as a form of expression.
'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a little while. We were standing up for the song.
In European and American society, many pundits started to lament the death of literature; looking at youth who were getting more and more attracted to sitcoms - hard, adventure films and said, our children are no longer reading, or else they're reading cartoons.
Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.
Everything about The Bradshaws is controversial, fluid, uncertain: their age - perhaps 30,000 years old, perhaps older, perhaps more recent - who painted them, what they mean.
Maybe that's why he had started to fear suffocation. It wasn't so much drowning in the earth or sea but the feeling that he was sinking into too many expectations, literally getting in over his head. Wow...when he started having thoughts like that, he knew he'd been spending too much time with Annabeth.
Before 'Last Man Standing,' I did a lot of indies, which were raw and controversial and much darker. That is where I feel most secure as a storyteller. That is what I am drawn to the most.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
Before 'New Girl,' I had just been grinding in TV for a really long time. I had been testing for so many shows and not getting them. You don't know how difficult it is or how lucky you have to be - and I only say lucky because there are so many people out there - to get a show on the air and keep it going.
The collapse of the Tower of Babel is perhaps the central urban myth. It is certainly the most disquieting. In Babylon, the great city that fascinated and horrified the Biblical writers, people of different races and languages, drawn together in pursuit of wealth, tried for the first time to live together - and failed.
That's something I kind of started Week 1, so when it got to where I'm getting a little beat up, I have a routine already for getting my body back together. Just getting in the cold tank, making sure you're getting massages.
It's been a little tough just because we've been playing so much. Your lives are getting a little more complicated than they were straight out of college when we first started. People are starting to get married, have families and all, it becomes more of a challenge. It's not an easy lifestyle.
Although I'm certainly glad cartoons are finally getting some respect as an art, I'm fairly ambivalent to see cartooning as a legitimate academic offering. If comics need to be deconstructed and explained, something is really wrong with them.
I was an absolute idiot, wearing polo-necks, reading Kerouac, watching Woody Allen movies, and jazz fitted right into all of that. My interest in that whole world became very genuine, but perhaps started off a bit affected - a mixture of right and wrong reasons. I was always drawn to non-commercial music, perhaps pathologically so.
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