A Quote by Terry Mosher
I think it's important to understand that a cartoonist is not drawing for favourable reviews from politicians. What we're trying to do is capture the popular feeling of the time about a politician or a particular political issue. For that reason I think it sums up public attitudes that is very helpful to historians down the road.
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Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
Even if you're trying to remain objective, even if you're trying not to mount any campaigns or endorse anything, when you cover an issue you are at least encouraging people to think about all the possibilities and if you're not covering political reform, electoral reform, you can write stories about them that don't say we must do this but just educate people on the fact that there are various advocates who are tugging us in that direction, that can present the arguments of those advocates, and I do think that's an issue we for some reason completely turned away from.
I want to be a politician. I think I understand how the system works, I think a lot of politicians are corrupt, and it's about time we put some people in there who are going to look out for the majority of the people instead of the rich people.
I think a lot of people get into what they're eating. Yes, it's important, but at some point, let's think about what we're feeling. It can become a control issue to control everything that you're eating and the exercise that you're doing. I think it's good to do a bit of everything, but to just notice how you're feeling when you wake up in the morning.
You know, 'Professor Obama' has been a label applied to him by Republicans and Democrats alike. He's a very smart guy. But I think he'd be, you know, better served not to spend so much time trying to impress us with his particular position on an issue and understand that there are things upon which we simply have a disagreement.
I think that language matters. I think that people who are in public life have an opportunity to help the public understand issues and understand the urgency of issues. And to that extent, I think it is important how issues are talked about.
It would probably be very sensible to be in love with someone who was not in the arts and who wasn't so prone to ups and downs. When I think of people who aren't in the arts, I immediately think of politicians for some reason, and I would never want to be with a politician.
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
I happen to think it's the politics that makes you electable, but the reason for that is politicians sometimes talk about electability as if it's just a matter of conning the public. Actually, it's a matter of persuading the public, and in my experience, usually, the public gets it right.
I understand Twitter has become popular among politicians. This technology allows them to stay in perpetual contact with their constituents. The electorate now has instant information about what politicians have been up to.
I think that I'm a better speechwriter than my speechwriters. I know more about policies on any particular issue than my policy directors. And I'll tell you right now that I'm gonna think I'm a better political director than my political director.
I think the pursuit of trying to understand things is really a critical issue. I see the issue of life and death in everything I do. I'm trying to find answers. It can be quite frustrating.
Generally speaking, politicians are an odd bunch. They seem to have very thick skins and genuinely don't care what people think. And charm is a very important part of the politician's armoury. I try to resist that kind of charm.
I think it's so important that you understand what you're trying to accomplish, what you're trying to say. Timelessness is never a thing I think about. If you try to make things timeless, you can end up with things that are neither exciting nor timeless. It's sort of like aiming for the middle in a way. At the same time, I never want to have to use the word trendy because it's not really what interests me. That's something that is gone tomorrow.
It's a long, hard road and it's going to have its bumps; there are going to be times when you fall and times when you don't feel like going on anymore, times when you're just crazy tired but it takes focusing on that one step you're taking. That's what I'm trying to do with the marathon; I don't think about the miles that are coming down the road, I don't think about the mile I'm on right now, I don't think about the miles I've already covered. I think about what I'm doing right now, just being lost in the moment.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
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