A Quote by Terry Pratchett

Quick, someone's coming! Look real! — © Terry Pratchett
Quick, someone's coming! Look real!
In New York, you can bump into someone on the street and go to a thing, go get coffee real quick.
I wanted it to look like real cooking in someone's real home or just so out-of-there bizarre that it would be fun.
In photography, you've got to be quick, quick, quick, quick...Like an animal and a prey.
When I look for a woman, I look for one that's real - that's keeping it 100. I rather someone know that they're sexy and not show it.
I look at people in certain circumstances, and I fall into caretaker mode real quick, real easy. I like to shoulder people up and carry them along, and then I end up creating some kind of dependency. I enable. It's really, really hard for me.
It's so fun because Jason [Mantzoukas]'s one of the smartest people I've met in comedy. So unbelievably fast comedically - so he's quick with whatever, but it's fun to watch someone be so quick and so stupid simultaneously.
In the modern world, there's a real genuine fear of loss of individuality, and I think the undead speak to that. I also think the idea of the dead coming back to life, and this unstoppable foe that just keeps coming and coming but rather slowly just chases you, is a real primal fear.
It is so hard for musicians when they step into acting is they're not coming in as a blank slate, they're coming in with a real set idea of who they are, where they're coming from, what their politics are, what their tastes are.
I thought of Jordan Spieth when I was putting, when he used to look at his target, he was reacting. That's all he does. He takes a couple quick looks, if you look at his pre-shot routine, a couple quick looks, doesn't stand over it too long, but he's committed and he just reacts to the target.
I can't just go up to people standing in the snow at the German-Austrian border and ask them: "Are you an Islamist?" When people flee to us from war zones, we first have to help. But we also have to be quick to look very closely at who it is that is coming.
Before I look stupid and not know what a word means or how to pronounce it, I'll stop the whole production, "Hey, real quick, guys. Define this word for me. Somebody."
Before I look stupid and not know what a word means or how to pronounce it, I'll stop the whole production: 'Hey, real quick, guys. Define this word for me. Somebody.'
People have their own reasons for dying. It might look simple, but it never is. It's just like a rock. What's above ground is only a small part of it. But if you start pulling, it keeps coming and coming. The human mind dwells deep in darkness. Only the person himself knows the real reason, and maybe not even then.
For me, it's a multitude of things. In the modern world, there's a real genuine fear of loss of individuality and I think the undead speak to that. I also think the idea of the dead coming back to life, and this unstoppable foe that just keeps coming and coming, but rather slowly just chases you, is a real primal fear. It's like a fear of claustrophobia, heights or water.
I feel like I got a good jump on the ball. I turned my head and picked a spot out to run to. I was able to look back at the ball real quick again and it fell right into my glove.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
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