A Quote by Terry Pratchett

As they say in Discworld, we are trying to unravel the Mighty Infinite using a language which was designed to tell one another where the fresh fruit was. — © Terry Pratchett
As they say in Discworld, we are trying to unravel the Mighty Infinite using a language which was designed to tell one another where the fresh fruit was.
ASTONISHING, said Death. REALLY ASTONISHING. LET ME PUT FORWARD ANOTHER SUGGESTION: THAT YOU ARE NOTHING MORE THAN A LUCKY SPECIES OF APE THAT IS TRYING TO UNDERSTAND THE COMPLEXITIES OF CREATION VIA A LANGUAGE THAT EVOLVED IN ORDER TO TELL ONE ANOTHER WHERE THE RIPE FRUIT WAS.
I'm writing, I'm using language, I'm using that language to tell stories and even more so to get ideas across. And I just love that, and I've always loved that.
I think perhaps the most important problem is that we are trying to understand the fundamental workings of the universe via a language devised for telling one another when the best fruit is.
All the academy will tell you that the language that is familiar to you is not appropriate. and that's not to say that there shouldn't be a standard, but when I come to school with my friends' language, my grandmother's language, the language in my mouth - you're going to tell me that's improper?
Painting is a language which cannot be replaced by another language. I don't know what to say about what I paint, really.
Two Chinamen visiting Europe went to the theatre for the first time. One of them occupied himself with trying to understand the theatrical machinery, which he succeeded in doing. The other, despite his ignorance of the language, sought to unravel the meaning of the play. The former is like the astronomer, the latter the philosopher.
Color is everything. It's another piece of the visual language to express what you're trying to say.
Anything out of a packet is off-limits. Copyright that: the No Packet Diet. I just prefer fresh fruit, fresh vegetables, and fresh protein.
Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.
When I speak of the aspiration towards the beautiful, of the ideal as the ultimate aim of art, which grows from a yearning for that ideal, I am not for a moment suggesting that art should shun the 'dirt' of the world. On the contrary! the artistic image is always a metonym, where one thing is substituted for another, the smaller for the greater. To tell of what is living, the artist uses something dead; to speak of the infinite, he shows the finite. Substitution... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite: the image.
Syntax and vocabulary are overwhelming constraints --the rules that run us. Language is using us to talk --we think we're using the language, but language is doing the thinking, we're its slavish agents.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
We need a new political language with broader narratives. Such a language has to unravel the pervasive ideological, pedagogical, and economic dynamics of a form of economic Darwinism that now governs much of the world. This system must be demystified, politicized, and recognized for the ways in which it has come to pose a dire threat to democracy.
I have come to believe that this is a mighty continent which was hitherto unknown. I am greatly supported in this view by reason of this great river [Ozama], and by this sea which is fresh.
The Bible says the fruit of the spirit is longsuffering. I'll tell you one thing about fruit: you will never see a fruit factory. Isn't that right? You see a shirt factory, but you see a fruit orchard. You see, there is no fruit without life. You cannot manufacture patience. The fruit of the Spirit is patience.
The difficulties in the study of the infinite arise because we attempt, with our finite minds, to discuss the infinite, assigning to it those properties which we give to the finite and limited; but this... is wrong, for we cannot speak of infinite quantities as being the one greater or less than or equal to another.
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