A Quote by Terry Pratchett

If I had been Terry Pratchett the farmer, or Terry Pratchett the dentist, nobody would have paid any attention if I had announced I had Alzheimer's. But there is something fascinating about an author losing the power over words.
My son and I discovered Terry Pratchett's books together, when he was about eleven years old. He'd be reading on his own and would start to laugh, and then eagerly read the passage aloud to me--and I'd do the same to him! Pratchett's books became a shared source of delight for us back then, and they still are today.
I've read a lot of Terry Pratchett's stuff, probably from when I was, like, 14.
Terry Pratchett's right up my alley ... give him a try!
If I may bend your ear for a moment, I like Terry Pratchett. I like footnotes. I like footnotes even when they are not as entertaining as a Pratchett footnote, even when they are in the middle of a book on evolutionary biology and briefly explain the Red Queen hypothesis or the fate of the Stephen's Island Wren or how many bunnies can dance on the back of Australia. Footnotes fill me with a very mild glee. The endnote simply does not compare.
Sir Terry Pratchett - he was knighted in 2009, and on him it looked earned rather than entitled - wrote about dragons, wizards, turtles, witches, time-travelling monks, and suitcases with legs.
Nobody had noticed, nobody had paid attention, but, as usual, the essential part of the matter had been settled before the story had begun, and by then it was too late.
I am thrilled to be taking part in 'Hogfather.' I am a huge fan of Terry Pratchett's books, and to play the part of Albert is going to be great fun.
Genre fiction, as Terry Pratchett has pointed out, is a stew. You take stuff out of the pot, you put stuff back. The stew bubbles on.
I'd go for "really great writer." Although I don't think I am. I know I have a style which is recognizable. I think you can see Terry Pratchett in every book. I like doing it. I was once a journalist. And I think of myself as a journalist, and that's it.
Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.
The diplomatic thing for me to say is that if publishers are dressing up other authors as Terry Pratchett clones then they are doing a disservice to those authors. If they didn't dress them as clones but did something different, then those authors could be pioneering in a different sense.
I had to make a change. It was no slight on my staff either. We'd all been at Boro for seven years. But certain players had got too familiar with the set-up. I had to turn it round. Terry was the one man I could think of to do it. So I went for him.
I don't think John Terry would have been the player he was if he hadn't had Marcel Desailly or Frank Leboeuf in front of him with us at Chelsea.
I think, in a way, I invented the term 'fight club' and that these things have always existed, but they never really had a label. Nobody had a language to apply to them. I created that language in two words and I've been paid a great deal of money for inventing two words and labeling something that has always been around.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
If I felt like I needed to be aggressive all the time, it would have been impossible to be the player that I was. Or John Terry, if he had tried to be a player of finesse, probably he wouldn't have been the same.
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