A Quote by Terry Pratchett
Reality is not digital, an on-off state, but analog. Something gradual. In other words, reality is a quality that things possess in the same way that they possess, say, weight. Some people are more real than others, for example. It has been estimated that there are only about five hundred real people on any given planet, which is why they keep unexpectedly running into one another all the time.
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Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
Horses don’t think the same as humans. Something that’s most unique about the horse, that I love, is not what he possesses but what he doesn’t possess. And that is greed, spite, hate, jealousy, envy, prejudice. The horse doesn’t possess any of those things. If you think about people, the least desirable people to be around usually possess some or all of those things. And the way God made the horse, he left that out.
There are three bombs. The first one is the atomic bomb, which disintegrates reality, the second one is the digital or computer bomb, which destroys the principle of reality itself - not the actual object - and rebuilds it, and finally the third bomb is the demographic one. Some experts have found out that in five thousand years from now, the weight of the population will be heavier than the weight of the planet. That means that humanity will constitute a planet of its own!
There are many people who know nothing of a world in which we take the reality of the 'other' seriously. I'm running on that platform: other people in other countries are really, really real, and there has to be a way of presenting their reality that is not condescending to them or about our psycho-social needs.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. Or they enlarge a reality that is felt to be shrunk, hollowed out, perishable, remote. One can't possess reality, one can possess (and be possessed by) images.
What 'Hundred' has done for me, it has open up avenues where people find more things about me, other than my body or the way I look because coming from TV background, there is anyway a little less perspective given to the kind of talent we possess.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
We're kept so busy focusing on things that are extremely mundane while the people that possess the real power are deciding what our reality's going to be.
Two hundred or more years ago most people on the planet were never aware of any reality other than the one into which they were brought up.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
For me words still possess their primitive, mystical, incantatory powers. I am inclined to use them as part of an attempt to make my own reality more real for others, as part of an effort to transcend emotional danger. For me, words are a form of action, capable of influencing change. Their articulation represents a complete, lived experience.
Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally.
Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
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