A Quote by Terry Pratchett
It was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying.
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You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
Nothing compares to when you are in coma and you hear voices and think you are dying. Then you come out of the coma and hear more voices saying you will not walk, not play sports, not be normal. And all the time your mind is fighting back saying, you will be strong, you will fight.
I don't want to say I hear voices; well, actually I do hear voices, but I don't think it's supernatural. I think it's just that when characters are given enough texture and backbone, then lo and behold, they stand on their own.
In this great age of communication, there a lot of people you can't actually understand. I know everyone tweets, and twits and texts and all that, but actually we've all got voices, and it is awfully nice to hear them and if you can understand what people are saying.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
Do we not hear voices, gentle and great, and some of them like the voices of departed friends,— do we not hear them saying to us, Come up hither?
With Hulk, I don't agree with all his choices, but you know what, I don't hear people saying all the great things he does. When he was on the Wheaties box, all those kids that said their prayers and took their vitamins, I don't hear them saying that.
I hear all the critics, man. I hear them saying 'He's done.' I hear them saying 'He can't.' I hear all that. That keeps me going.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
It's a little bit of a shame when I see some fans saying, 'Can you do me a favor and not ask questions to the fighters or the athletes about political stuff, cause we don't care about their opinions, we don't want to hear that, this is not that platform, if we wanted to hear that we would turn to CNN or FOX or ABC,' or whatever the case may be.
I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.
Well, what do you owe yourself? Do you dare take time out to listen to the grass grow, or can you even afford the expense of getting far enough away from life's daily cacophony to hear it grow if you took the time?
I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices, you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
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