A Quote by Terry Pratchett

Using a metaphor in front of a man as unimaginative as Ridcully was like a red flag to a bu... was like putting something very annoying in front of someone who was annoyed by it.
If anyone has a new idea in this country, there are twice as many people who keep putting a man with a red flag in front of it.
You'll get, like, 10 pages of sides the night before, and you have to go in and just wing it. For someone like me, I came from the theater, and I don't like putting anything up in front of anybody until it's really, really ready, so it can be very frustrating.
Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.
She spent an afternoon staring at their front door. Waiting for someone? Yankel asked. What color is this? He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, It certainly tastes like red. Yes, it is red, isn't it? Seems so. She buried her head in her hands. But couldn't it be just a bit more red?
It's annoying when someone's in front of you driving ten miles an hour, and you're like, 'Okay, today,' and someone else is on the side of you, so you can't pass them, and when you finally do pass them and they are texting, the laser cannons just come out and disintegrate that car.
I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.
There's something perverse isn't there, if you're playing in front of 100,000 people and there's 2000 people down the front who don't like, you think: what is it that they don't like?
My dad sat me in front of the TV, and instead of putting on Nick Jr. or something, he put me in front of 'Jailhouse Rock' and all the Elvis movies.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
Growing up, I felt like it was very dangerous to mess up in any way, both in front of men and in front of other girls. It was like you couldn't make mistakes. So having a female friend who's like, 'Get over yourself. You're driving me crazy!' - that's been one of my most important parts of becoming an adult.
Public speaking is scary, I think. I've gotten way better at it. If I have to do a speech and be like, 'I'm a YouTuber,' then that's easy, but if I have to get up there and pretend I know something in front of adults, it's never fine. In front of adults, it's like, 'Ahhhh they're going to judge me.'
Putting a computer in front of a child and expecting it to teach him is like putting a book under his pillow, only more expensive
I find it's better to focus on what's in front of you and to keep putting one foot in front of the other.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
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