A Quote by Terry Pratchett

Knowing things is magical, if other people don't know them. — © Terry Pratchett
Knowing things is magical, if other people don't know them.
That's one form of magic, of course." "What, just knowing things?" "Knowing things that other people don't know.
To know another human being in their essence, you don’t really need to know anything about them - their past, their history, their story. We confuse knowing about with a deeper knowing that is non-conceptual. Knowing about and knowing are totally different modalities. One is concerned with form, the other with the formless. One operates through thought, the other through stillness.
The loneliness of a visionary is that you might be the only one in the universe at that time who recognizes magic. I'm a magical person, and so I recognize other magical people. It takes ones to know one.
Just having the internet is a weird and dangerous thing because people become accustomed to knowing things when they want to know them and not having to work for it. I definitely see the value in not knowing everything and having mystery in life and mystery in people.
I think Cruella is evil, because she's the devil. But all the other characters, I was able to find a common humanity with them somewhere, knowing where they're most fragile, where they're most vulnerable, knowing some of the things that happened to them that might have formed this kind of behavior.
Often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places.
Cool is not just one type of cool. Cool is confidence and knowing, i guess, what you are and being fine with it. Some people can be what people call “nerds” and they're cool because they know they're needs. They know what they are and they're so confident in knowing what they are that that makes them cool, and somebody aspires to be like them because they're fine with it. it's confidence, you know.
I create other worlds, magical never-never lands where the camera is my weapon and the battles I fight are with the elements. i stretch the laws of the mind and displace people from their realities to capture a side of them they didn’t even know they had. Photography has the ability to freeze people in this time and space—no matter what happens after that moment, it cannot change—they are exactly how i want them to be.
The horror of knowing someone and living with them and even thinking you're lucky and then wham and now you know that every person is really two people and how can you ever know what the other half is up to.
Things are not magical because they've been conjured for us by some outside force. They are magical because we create them.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
There are very few things in life I find that are as magical in person as you imagine them to be. Cannes was one of those experiences that held up to that magical essence. It's the epitome of class and elegance for the entertainment industry.
My career is like an artichoke. People might think that the leaves are tasty and buttered up and delicious, and they don't even know that there's something magical hidden at the base of it. There's a whole other side of me that people didn't know existed.
Get to know yourself. Know your own failings, passions, and prejudices so you can separate them from what you see. Know also when you actually have thought through to the nature of the thing with which you are dealing and when you are not thinking at all... Knowing yourself and knowing the facts, you can judge whether you can change the situation so it is more to your liking. If you cannot--or if you do not know how to improve on things--then discipline yourself to the adjustments that will be necessary.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
I love 'Exit West' by Mohsin Hamid. It's a magical realism retelling of the refugee experience, where people find these magical doors that transport them to another country.
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