A Quote by Terry Pratchett
In fact, the mere act of opening the box will determine the state of the
cat, although in this case there were three determinate states the cat
could be in: these being Alive, Dead, and Bloody Furious.
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Oh cat, I'd say, or pray: be-ootiful cat! Delicious cat! Exquisite cat! Satiny cat! Cat like a soft owl, cat with paws like moths, jewelled cat, miraculous cat! Cat, cat, cat, cat.
It's silly to be depressed by it. I mean one thinks of it like being alive in a box, one keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never know you were in a box would you?... Even taking into account the fact that you're dead, it isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off-- I'm going to stuff you in this box now would you rather be alive or dead? Naturally you'd prefer to be alive. Life in a box is better than no life at all.
If you were in a burning house and there was a cat and a Rembrandt, what would you save? The cat...you would save the cat, because the cat is alive. The art is dead. It's just paint on a canvas, ink on a page. To live for art is to deny life. It's just to destroy life.
I favour an interpretation of quantum mechanics (the 'Everett interpretation') according to which reality branches in any chancy quantum situation. On this view, Schrödinger's set-up will give rise to in two future branches of reality, one with a live cat, and one with a dead cat - and the talk of '50% chances' just indicates that the two branches are both equally real futures of the cat that originally entered the box.
The Lady Amalthea beckoned, and the cat wriggled all over, like a dog, but he would not come near... She was offering her open palm to the crook-eared cat, but he stayed where he was, shivering with the desire to go to her"...[later, Molly asked the cat] "Why were you afraid to let her touch you? I saw you. You were afraid of her." "If she had touched me," he said very softly, "I would have been hers and not my own, not ever again. I wanted her to touch me but I could not let her. No cat will... The price is more than a cat can pay.
In Egypt: Under no conditions, under threat of death could anyone kill a cat. People were exceuted for even killing a cat accidentally. And when a cat died, the whole family, and probably their closest friends, went into mourning, the measure of their personal loss signalled by their shaving off their eyebrows.
Note 4. For these and other reasons the cat is also very hard to photograph. The best photographs are instantaneous, as the mere breathing of a cat will blur the fur in a time exposure.
In places like Glasgow and Newcastle, audiences have a tradition of being amusingly combative. But they're not trying to ruin the act, they're trying to give you a challenge. It's like a cat playing with a mouse - the cat doesn't want the mouse to die, it wants to keep it alive for its own amusement and to be entertained by its struggle.
You may say a cat uses good grammar. Well, a cat does -- but you let a cat get excited once; you let a cat get to pulling fur with another cat on a shed, nights, and you'll hear grammar that will give you the lockjaw. Ignorant people think it's the noise which fighting cats make that is so aggravating, but it ain't so; it's the sickening grammar they use.
Words are a strange thing. You once saw an animal and decided it's a 'cat.' But cat is a sound. This cat has nothing to do with the animal. But I have decided it's a cat. So a cat it is.
You have no control over your cat! You can't say to your cat, "Cat, heel! Stay! Wait! Lie down! Roll over!" 'Cause the cat's just gonna be sitting there going, "Interesting words ... have you finished?" While you're shouting all this to your cat, your dog's next to you, going ... [mimes obeying all commands] "What the hell are you doing? I'm talking to the cat!" "Oh, I'm sorry!"
Having your book edited is like watching your cat being operated on. It's uncomfortable and someone is probably going to get hurt. Most likely the cat. But in the end, things work out for the best and your cat is better it. And then your cat gets released in hardcover, and you have to read all of his reviews.
Cheshire Cat: If I were looking for a white rabbit, I'd ask the Mad Hatter. Alice: The Mad Hatter? Oh, no no no... Cheshire Cat: Or, you could ask the March Hare, in that direction. Alice: Oh, thank you. I think I'll see him... Cheshire Cat: Of course, he's mad, too. Alice: But I don't want to go among mad people. Cheshire Cat: Oh, you can't help that. Most everyone's mad here. [laughs maniacally; starts to disappear] Cheshire Cat: You may have noticed that I'm not all there myself.
If I can't find a cat, I stop and quiet my mind, not yelling the cat's name, and focus on connecting with the cat and then I get the message and go to that room or outside door and find the cat.
I do not know what the cat can have eaten. Usually I know exactly what the cat has eaten. Not only have I fed it to the cat, at the cat's insistence, but the cat has thrown it up on the rug, and someone has tracked it all over onto the other rug. I do not know why cats are such habitual vomiters. They do not seem to enjoy it, judging by the sounds they make while they are doing it. It's their nature. A dog is going to bark. A cat is going to vomit.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
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