A Quote by Terry Pratchett

I would rather stare at the wall for half an hour than watch an episode of any of the 53,801 Australian soap operas now cluttering up UK TV. — © Terry Pratchett
I would rather stare at the wall for half an hour than watch an episode of any of the 53,801 Australian soap operas now cluttering up UK TV.
My grandmother will watch any episode of a show I'm on, but she watches her soap operas every day. When I was on 'The Bold and the Beautiful,' you would have thought I had won an Oscar. She told everybody at church that I was on her favorite soap.
I was 11 and watching soap operas with my mom, and I thought it would be cool to be an actor. I thought soap operas was going to be the dream at the time - it's obviously now not the dream, but I think soap operas are really cool. Maybe I'll go back to that.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
Early on, America took one path and went down the advertising road, and in the UK they founded the BBC and developed a different kind of public broadcasting. There was a point where TV was so beholden to commercial interest that people - civil society - actually rose up and said, "This is ridiculous: we have our soap-selling soap operas, cigarette-sponsored news broadcast; we have our rigged quiz shows - let's put some checks and balances here."
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I don't really watch any TV. I'll glance at the TV sometimes if my wife's watching 'Empire' or 'Scandal.' I'll sit with her for an episode. But I don't have a TV show that I watch.
Having now been on three different soap operas was more than I could have hoped for. Then going on to doing a movie and being on prime time TV, to my own show on Netflix - I couldn't have dreamed of what this has snowballed into.
There are story-room sessions where you think about the big picture, like a novel, but once you have certain things in place, you have to treat each episode like an hour of TV, and think that maybe this will be the only episode that anyone will ever watch. You want to have some sort of beginning, middle, and end to the episode, even if you have storylines that are carrying over. You still want it to feel like a cohesive hour of entertainment. And you can't think about both at the same time.
When I was in school, I was always writing scripts and dressing up as characters. I'd constantly be that guy who'd get up on stage. I used to write imaginary TV shows, like soap operas, for fun.
We're spending, on average, 27 minutes a day cooking and about four minutes cleaning up, so basically about a half hour. Any one of TV shows takes twice as long to watch as that, which I think is very interesting because the main excuse people give for not cooking is they don't have time to cook, but somehow they're finding time to watch other people cook or eat on TV.
If I knew how to operate a DVR, you'd find episodes of 'The Tavis Smiley Show,' 'Democracy Now!' and lots of stuff from TV Land. What you can find now on my Hulu account are Korean soap operas, 'Grey's Anatomy' and films from the Criterion collection.
Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.
Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.'
I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on.
I have nothing but admiration for the actors on soap operas. It is unbelievably challenging to put out an hour show in one day.
I watch soap operas. I bake brownies. Normalcy is coursing through my veins.
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