I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
When you're a young writer and you look at people praising a big hefty anthology that has uncovered a long lost genre, it can be disorienting to look inside it and think, "But what it's uncovered still isn't me. What does this mean? Do I not belong in this genre, or is there more of the genre yet to find?"
I wanted to look like the most diverse writer in comics! Spy genre, space genre, crime genre, and then you realize that it's all actually the same thing.
In the Marines, I was stunned, absolutely stunned, at everything around me, at what the world looked like.
I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.
I found the offer of a knighthood something that I couldn't possibly accept. I found it to be somehow squalid, a knighthood. There's a relationship to government about knights.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
I'm glad I'm a woman; I'm glad I'm a rapper because I get to speak to these people who did not get spoken for in this genre.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
Every person who is offered a knighthood has the opportunity to say yes or no. You get a letter from the Prime Minister saying you've been recommended for a knighthood and there are two little boxes, one says yes, one says no.
My first break was becoming a staff writer on the rebooted '90210.' And then I got stuck writing in the teen genre for a while.
I feel that I'm a poet first. Not only was poetry the first genre in which I wrote, it's the genre that serves as the basis for my practice as a writer.
The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
I was stunned to see that he looked stunned himself, which was an exorbitant display of emotion for Barrons.
Don't classify me, read me. I'm a writer, not a genre.
For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.