A Quote by Terry Pratchett

That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill. Who was it said - one of the famous lady novelists - 'unhappy is the family that contains an author'?
I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.
Do not place a photograph of your favourite author on your desk, especially if the author is one of the famous ones who committed suicide.
One thing I have noticed is that when you're a younger editor, you're more intense about it. As you go along, you relax a little. More and more, I feel that the book is the author's. You give the author your thoughts, and it's up to him or her to decide what to do.
The best author is a dead author, because he's out of your way and you own the play. Take what he has given you and use it for what you need.
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."
I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
I wanted to be an author as far back as I can remember, mixed with occasional bouts of wanting to be a werewolf when I grew up. But mostly, when I daydreamed, it was about being an author.
People would much rather argue their own visions and conceptions about a book than engage in a dialogue with the author, because the author could always trump you with, 'I wrote it.'
There was something appealing in thinking of a character with a secret life that her author knew nothing about. Slipping off while the author's back was turned, to find love in her own way. Showing up just in time to deliver the next bit of dialogue with an innocent face.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
Unfortunately what is little recognized is that the most worthwhile scientific books are those in which the author clearly indicates what he does not know; for an author most hurts his readers by concealing difficulties.
If you feel that there's the author and then the character, then the book is not working. People have a habit of identifying the author with the narrator, and you can't, obviously, be all of the narrators in all of your books, or else you'd be a very strange person indeed.
The stories I love the most are where the author has a lot of empathy for everyone. The author loves their characters and takes their situations really seriously, and you feel like you're just dropped into a different world.
To be a hero means being the author of your own myth.
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