A Quote by Terry Riley
It seems like we are moving towards something, some kind of point and it is probably going to be an important point in our development or dissolution. That is what everybody seems to be thinking.
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When everyone is moving towards depravity, no one seems to be moving, but if someone stops he shows up the others who are rushing on, by acting as a fixed point.
Like some kind of particularly tenacious vampire the short story refuses to die, and seems at this point in time to be a wonderful length for our generation.
It seems to me that there will be a point in out development or our evolution where you put your guns aside.
I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
We all, to some degree, wish we could have some element of our childhood back again while, for kids, moving on is something they're worried about. They know it's going to happen at some point.
It seems to me that some releases these days are so collab heavy to the point the artist seems like a guest on their own album and then fans look out more for the collabs than the stand alone tracks from the artist.
It seems to me that the desire to make art produces an ongoing experience of longing, a restlessness sometimes, but not inevitably, played out romantically, or sexually. Always there seems something ahead, the next poem or story, visible, at least, apprehensible, but unreachable. To perceive it at all is to be haunted by it; some sound, some tone, becomes a torment — the poem embodying that sound seems to exist somewhere already finished. It’s like a lighthouse, except that, as one swims towards it, it backs away.
Nobody is going to buy one of our dresses because it will do, or as something to hide away in their wardrobe and wear at some dimly undetermined point. They always have an event of some kind in mind. They want to walk in the room and for everybody to think how amazing they look. That's the job, really.
Like Woody Allen actually does this a lot in his movies, its kind of called magical realism where he has just kind of an everyday, these kind of everyday experiences and all the sudden something magical or supernatural will come into to and I just, I love that and I think everybody can kind of - everybody wants that at some point in their life.
I see the people in the tabloids, the ones that get bad press, who have kind of gone off the edge, and I try to study them so that I don't do that. It seems like they lost focus at some point - that's the one thing they all have in common.
A lot of blues music seems like it's moving away from God, or the center, and Gospel music is moving towards it. It's embracing a higher reality. When you look a little closer, the way that I define it or explain it, is that the blues is the naked cry of the human heart, apart from God. People are searching for union with God. They're searching to be home. There's something in people that seeks this union with their creator. Why am I here? Where am I going? What's it all about? Who am I? All this kind of stuff.
It seems like at some point you'd run out of awful.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
I have also made this a point in our company: We need to stop taking baby steps and start thinking globally. It really seems to be helping.
What makes me laugh about politics, sometimes, is it seems like once we get to a point where our problems are seemingly unsolvable, it's because we're looking through a wrong point of view. If we turn the thing on its head, then maybe we might see it differently.
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