A Quote by Terry Riley

I had been interested in Indian music and I actually started studying Tableaus before I met him. — © Terry Riley
I had been interested in Indian music and I actually started studying Tableaus before I met him.
Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.
I was studying to be a doctor like every good Indian boy, and doing music on the side as a hobby. Then I started to get a little serious and record companies started giving me offers!
I met my agent when I was 10 years old on a family skiing vacation. He asked if I was interested in acting, and I had been doing school plays. A couple of years later, I called him up, and I started auditioning.
I was actually going for the pre-medicine track and studying for my MCATs and then I decided to follow my passion, which was music. So I moved to India after college to re-immerse myself in Indian music.
A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
Pharoahe Monch is a long time supporter of my music and I'm a long time supporter of his music so when we met each other it was almost like a natural occurrence.I met him before a few years earlier and we were just politicking with each other and we had a conversation about possibly doing something but our schedules have always been in conflict.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
Roberto Carlos has always been my idol, even before I actually met him.
He was thirty-one now, not too old, but old enough to be lonely. He hadn't dated since he'd been back here, hadn't met anyone who remotely interested him. It was his own fault, he knew. There was something that kept a distance between him and any woman who started to get close, something he wasn't sure he could change even if he tried. And sometimes in the moments right before sleep came, he wondered if he was destined to be alone forever.
They had met at a club fifteen years before, Etta and Magnus. He had convinced her to dance with him, and she said she had been in love by the end of the song. He told her he had been in love before the beginning.
I've met so many young women who are interested in being involved in music and I think, 'Why are you not actually doing it?' And I hope that if I tell my story, about the setbacks I had, they might not be afraid.
In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.
I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.
Actually, I started to become an actress because I met someone who was just a friend and I found his life wonderful, I thought, Oh my god, you can travel, you're free, you can do what you want, you're the boss. And then I met an actor and I was in love with him.
I started playing music when I was about six and didn't discover Indian classical music until I was fifteen. So, essentially, I had a lot of catching up to do.
I never thought about acting before I started modeling, but since then I've been in short films and music videos, and I got interested. It felt natural to switch over.
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