A Quote by Terry Rossio
Most aspiring screenwriters simply don't spend enough time choosing their concept. It's by far the most common mistake I see in spec scripts. The writer has lost the race right from the gate. Months - sometimes years - are lost trying to elevate a film idea that by its nature probably had no hope of ever becoming a movie.
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The problem with time, I've learned, whether it's those first two weeks I got to spend with you, or the final two months I got to spend with him, eventually time always runs out. I have no idea where you are out there in the world, John. But I understand that I lost the right to know these things long ago. No matter how many years go by, I know one thing to be as true as ever was - I'll see you soon then.
A man must be big enough to admit his mistakes, smart enough to profit from them, and strong enough to correct them. This sequence is something that all achievers have in common. They do not see a mistake is as their failure; rather it is simply a learning experience. Achievers view a mistake as an opportunity to do something over again and do it right the second time. A mistake is simply the price they pay to achieve success.
Time is the most precious gift in our possession, for it is the most irrevocable. This is what makes it so disturbing to look back upon the time which we have lost. Time lost is time when we have not lived a full human life, time unenriched by experience, creative endeavor, enjoyment, and suffering. Time lost is time not filled, time left empty.
You write a spec, and you pour your heart and soul and life into a spec, and you think that spec is the movie that's going to sell and get made... I've never heard of anybody that happened to. What happens is, you write a spec, people get it, they see your writing, they see you're good, they bring you into their office and they say, "Boy, that spec was really good - we'll never make that in a million years. We have rights to the board game of Monopoly. What do you think about a Monopoly movie?".
I became a writer because during several of the most important years of my life, writing seemed to me to be the most unreal, unattractive, and unecessary idea ever imposed upon the human race.
When money is lost, a little is lost. When time is lost, much more is lost. When health is lost, practically everything is lost. And when creative spirit is lost, there is nothing left.
It seems to me that we spend most of our spiritual energies trying to explain why the God of Elijah, Samson, David, and Paul seems to have lost His muscle in our modern age. Did He grow tired of performing heroics? Did He wax feeble after all these years of running this whole universal show? Could it be true that God has really lost His muscle? Maybe it would be more accurate to say God lost His men.
...we're going to be in an economic slowdown for a couple of years. So to take three months, four months, six months to spend this money the right way-we're not going to get a chance to spend a trillion dollars again! Ever. So let's do it the right way.
I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.
Relative to the power that movie stars have, and producers and directors, I would say that even the most respected screenwriters have very little power in Hollywood. I don't think it's in the nature of the writer's profession to go after that power. Writers spend their time alone, hallucinating, writing, making these things up, while these other people are out schmoozing, making connections, meeting each other. They are trotting the corridors of power and making sure they've put their own imprints in it. And they're promoting themselves and their images, as they should.
The notion of dream interpretation far antedates the birth of psychoanalysis, and probably served an important function in most, if not all, historical societies. In having lost this function, modern man has also lost the best part of his nature, which he obliviously passes on to the next generation of dreamers.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
The most common characteristic of women's history is to be lost and discovered, lost again and rediscovered, lost once more and re-rediscovered - a process of tragic waste and terrible silences that will continue until women's stories are a full and equal part of the human story.
Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode.
Yes, I'm a fan, and 'The Lost City of Z' has been my inspiration. Percy Fawcett was one of my heroes, and I loved the book and the film. I was lost in the same area that Fawcett had explored, and I can identify with his sense of passion and obsession, and I definitely see the romance in searching for lost treasure.
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
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