A Quote by Terry Southern

In the case of The Loved One, I was hired to collaborate on an updated version of the book. — © Terry Southern
In the case of The Loved One, I was hired to collaborate on an updated version of the book.
There are only two reasons for buying a book, after all. Either we intend to read it, in which case most of us find a printed version preferable, or we don't intend to read it, in which case a printed version is absolutely essential.
Remember the diner in 'Happy Days?' I do want to do a show like that. But an updated version.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.
I wasn't hired to be a moral judge. I wasn't hired to be a preacher or an evangelist. I'm hired to apply the law.
I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether, and my job is to find what that book is through my editing.
I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
After I graduated in Vancouver, I had been working on a book about war-affected children and land mines with the foreign minister - he was working at a place on campus and hired me. I then got a job as a Human Rights and Refugees Officer in London, and I loved working there.
We got to go one step further than even 'Make in India.' Let's make India itself - India 2.0, the updated version.
He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust — dust of which he breathed the sweet and tender perfume with delight.
When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
If you've really loved a book, or a movie for that matter, really loved it, what you want is that same book again, but as if you've never read it. And when you get something unfamiliar, you feel betrayed.
I love the fact that you collaborate with your readers when you write a book.
When I was offered 'Hawkeye,' it was very intimidating at first because that book is so loved and so successful, commercially and critically. The worst thing you could do is try to imitate what they did because, in the end, you're just going to get a watered-down version of what they did.
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