A Quote by Terry Teachout

You don't have to know anything about the Shakers to appreciate Mr. Copland's score for 'Appalachian Spring' any more than you have to know who William Randolph Hearst was to understand 'Citizen Kane.'
In the nineteen-thirties, one in four Americans got their news from William Randolph Hearst, who lived in a castle and owned twenty-eight newspapers in nineteen cities.
There have been many great newspapermen, but to my mind, only two have achieved immortality: Pulitzer for his endowment and William Randolph Hearst for his castle.
I don't think 'Citizen Kane' stands more than one watch. Power corrupts. Who didn't know that?
You don't have to know anything about art to appreciate it or to look at it. There aren't any hidden secrets or things that you're supposed to understand.
I mean, everyone says Citizen Kane. It isn't that great, anyway. And Orson Welles I knew well, of course. He made other incredible films that no one would let him make, which were much better than Citizen Kane, really.
Marijuana was made illegal because of William Randolph Hearst, the big newspaper guy. He owned thousands of acres of timberland and he didn't want hemp to be used for paper, he wanted to force everyone to buy his trees. And that's why he was the one that spearheaded making it illegal in Washington. Always follow the money, it's done for money purposes.
We didn't even think about it, you know? I used to collect laser discs, and you'd have some college professor analyzing It's a Wonderful Life or Citizen Kane, and now it is pretty funny - the idea of commentary for a silly kid's movie, you know?
I don't know anything about the Appalachian mountains or cowboys and Indians or anything. I just made it up.
There is more good writing and good acting in any ten minutes of Twister than in, say, all of Citizen Kane.
It's very much related to the American tycoon. To William Randolph Hearst, Vanderbilt, Rockefeller, that whole stratum of American acquisitive evil. Monopolistic, acquisitive evil. Ugly evil. The ugly American. The ugly American at his ugly worst. That's exactly what it is.
In Colma, a suburb of San Francisco, California there's a proposal pending to tax . . . the dead. If proponents get their way, grave sites will be taxed $5 dollars - per grave, per year - for eternity. In Colma the dead outnumber the living by a ratio of roughly 1000-to-1, including such notables as: Wyatt Earp, Levi Strauss, and William Randolph Hearst. And they, apparently, haven't paid their fair share. For liberals, when it comes to taxes . . . nothing is sacred.
The people know more about [Jazz] in other countries than in America. America is the last country to know about anything, because we're too fat, we have too much of everything, you understand? And we do not listen.
Government spending? I don't know what it's all about. I don't know any more about this thing than an economist does, and, God knows, he doesn't know much.
You know so much about me and yet you don't understand me. To know is not to understand. We could know everything and still not understand anything.
Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.
Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.
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