A Quote by Terry Teachout
A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.
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A good play is a play which when acted upon the boards make an audience interested and pleased. A play that fails in this is a bad play.
St. Andrews is my favorite place to play golf. I've said it many times. I love the design. I love how there is always a bunker in play. And every time you play, it is always a little bit different. There are so many angles out there. It is beautifully designed. And so much fun to play.
I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.
Do we want an Attorney General who will play politics with the law, play politics with the court and just play politics with international conventions designed to protect our troops? I do not want to play that kind of politics. I am going to vote against Alberto Gonzales.
I didn't set out to win Olympic medals, to play at UConn, to play in the WNBA. I just loved to play basketball. It's really very simple. Then when you start thinking about those other things, that's when thinking gets complicated.
When i play in Las Vegas I play for money, when I play in Miami I play for holidays but when I play in #India I play for Love
I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I've written virtually as long as I've acted, it wasn't a sudden transition. I acted in my first play when I was 16 and I wrote my first play when I was 17.
It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful.
You can love a play and character and can be the right person to tell that story. But if you don't click with the other people in the play, it won't work.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.
As long as there is democracy, there will be people wanting to play jazz because nothing else will ever so perfectly capture the democratic process in sound. Jazz means working things out musically with other people. You have to listen to other musicians and play with them even if you don't agree with what they're playing. It teaches you the very opposite of racism and anti-Semitism. It teaches you that the world is big enough to accommodate us all.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
Trios aren't really geared for slide unless you're gonna play chords, or play that simple George Thorogood style. It gets pretty thin when you play single note lines.
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