A Quote by Terry Teachout

Samuel Beckett's estate will not license productions of his plays that are not performed as written. — © Terry Teachout
Samuel Beckett's estate will not license productions of his plays that are not performed as written.
I have 800 books of just Samuel Beckett's work, tons of his correspondence, personal letters that he wrote. I have copies of plays he used when he directed, so all of his handwritten notes are in the corners of the page.
Samuel Beckett is the person that I read the most of - certainly the person whose books I own the most of. Probably 800 or 900, maybe 1,000 books of just Samuel Beckett. By him, about him, in different languages, etc. etc. Notebooks of his, letters of his that I own, personal letters - not to me, but I bought a bunch of correspondence of his. I love his humor, and I'm always blown away by his syntax and his ideas. So I keep reading those.
I don't think there's been any writer like Samuel Beckett. He's unique. He was a most charming man and I used to send him my plays.
All of a sudden we were going on school trips, seeing these amazing plays by the likes of Samuel Beckett. My whole world went from 'This is really fun' to 'This is fascinating to me'.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
He [Samuel Beckett] is great, a very great writer. Any modern writer is bound to be influenced by [James] Joyce. Of course, by Beckett as well.
Samuel Beckett. He is a kind of hero for me.
My favorite playwright is probably Samuel Beckett, and he was always laughing at the abyss.
I am not interested in living in a city where there isn't a production by Samuel Beckett running.
Like his admirer Samuel Beckett, Johnson locates his voices among conditions of such deprivation that even the most miserable memories are gilded by comparison: this paradox fuels equal parts of comedy and pathos. Never sentimental, at once corrosive and elegiac, House Mother Normal is a remarkable achievement.
I admire [Samuel] Beckett, but I am totally against him. He seeks no improvement.
[Contemporary writer] could be a kind of [Samuel] Beckett who would not be felt to be totally committed to despair.
His brother maintained that what sent people backing away was neither his size nor his mother's blood, but solely the expression on his face. To test Samuel's theory, Charles had tried smiling - and then solemnly reported to Samuel that he had been mistaken. When Charles smiled, he told Samuel, people just ran faster.
Poets think in short lines. Unless you're Samuel Beckett, Twitter might be more difficult for novelists.
The one living playwright I admire without any reservation whatsoever is Samuel Beckett. I have funny feelings about almost all the others.
The first play I saw was a Samuel Beckett play which was great.
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