A Quote by Terry Teachout
In 2004, the iPod was a novelty, and tablet computers were a dream. Now we take for granted that we can see whatever we want whenever and wherever we want to see it, be it 'Grand Illusion' or 'Duck Dynasty.'
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I just say whatever I want to whoever I want whenever I want wherever I want however I want.
You know, when we were kids, we had to go to a theater to see a movie. And then television came in and you had to wait until midnight to see the one you wanted to see. Now, all you've got to do is go to a store and buy it and you can watch it whenever you want!
I want people to have clean water. People in this country take it for granted, the ability to drink clean water whenever they want. There are millions of people far less fortunate in this world, and it's my duty to do as much as I can to change that. I don't see that as insurmountable at all.
It just kind of puts you in awe a lot of times. To see fans, and especially kids, really want a bobblehead or really want your jersey, that's something you only dream of. Sometimes we take it for granted, don't understand the importance of it, how a little bobblehead can make somebody's day.
I'm really in such a fortunate position to have that foundation with Hall and Oates that lets me do whatever I want. That's the dream of a lot of creative people, and I don't take it for granted. I try to make the most of it.
The social issues outside of football are not as defined as they were earlier, when integration took place and certain rights were legislated. The Civil Rights movement is over. Individuals can buy homes wherever they want, travel first class wherever they want, eat wherever they want.
New York has always had a love for Southern artists. There's no place else that makes me feel like the city does. I just love the immediate nature of the city, you can get whatever you want whenever you want it and do whatever you want whenever you want to.
When I was a teenager, in the '80s, it was 'Dynasty.' It was 'Beverly Hills, 90210.' And those were fantasies. Those weren't reflective of my experience. And I think we all want that; we all want to see ourselves, our story told, something to relate to, to help us and know that we're not freaks, that our experiences aren't odd.
We want to see ourselves - but differently. We want to see these dream versions of ourselves. We want to be surprised; we want to be entertained. I think primarily, especially in this country, we ask that movies entertain us, which seems to be something they're less and less likely to do on a continual basis.
The fans want to see more. They're there to see fights, they want to see more, they want to see people get put unconscious, whatever. But you can't get put in those spots.
As I see it, Being, the Cosmos, whatever you want to call it, is a struggle between two implacable forces: Novelty on the one side and habit on the other side.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.
I want to take back the secrets I told you so I can decide now whether to tell them to you again. I want to take back the piece of me that lies in you, to see if I truly miss it. I want to take back at least half the “I love you”s, because it feels safer that way.
[Kirk] Johnson throws some heavy punches and is a knockout fighter. This is what people want to see. They want to see a fight, they want to see punches and they want to see action.
People used to see things that disgusted them and say, 'I never want to see that again.' Now we've reached the point where we see things that are disturbing and revolting to us, but we want to see more and more of it.
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