A Quote by Terry Tempest Williams
Whatever artistry may occur within the manuscript, the magic happens for me in the last draft. Whatever I have been resistant to say must finally be said. In the end, I see where my pencil has been leading me.
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Writing, yeah. Me and my friend Scott Bloom just finished the first rough draft of a script. It's taken us three years to do, but we finally got a first draft. And we'll see whatever happens with that.
I have been around football all my life, and it doesn't happen. It never enters my mind. I don't think, 'Oh, what's going to happen to me at the end of the season?' Whatever happens to me, happens.
I must say that, beyond occasionally exposing me to laughter, my constitutional shyness has been no dis-advantage whatever. In fact I can see that, on the contrary, it has been all to my advantage.
A writer, or any man, must believe that whatever happens to him is an instrument; everything has been given for an end. This is even stronger in the case of the artist. Everything that happens, including humiliations, embarrassments, misfortunes, all has been given like clay, like material for one's art. One must accept it.
It would be difficult, perhaps, to find the annals of a nation less stained with crimes than those of the Armenians, whose virtues have been those of peace, and their vices those of compulsion. But whatever may have been their destiny and it has been bitter whatever it may be in future, their country must ever be one of the most interesting on the globe.
Daniel Boulud told me at a young age, 'Whatever happens to you in your career, you're going to be great - be humble. Just be humble.' And I think about that daily. Like, whatever happens to me, whatever awards we win as a team or whatever else, just be humble.
Wisdom plays such a part in life that whatever may happen outside, whatever may be the trend, whatever may be the fashion, whatever may be the people are all changing into, you do not change. You change within.
I don't rely on catchphrases or really like sing-along. I just do whatever I feel. Whatever the beat makes me say, I do that and I run with that. It's been working for me, so I'd be cool with that.
Usually, you know, you're at a table and you're the only woman, you've got this idea, you finally speak up - I mean, I've been in some settings where every head turns toward me and then they all turn away as if I've never spoken. Which I think happens when whatever I said was so out of the blue, or so awkward, that they just didn't know how to respond.
[Ideas] may not arrive exactly on time, it may not be the most convenient thing for you. For me that happens a very small amount, but if for whatever reason it's not arriving at the moment, it may last forever. Thinking about it won't change any of that.
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
You have to say, whatever it is that I say or do or think or teach must be something that will be consistent with who Jesus Christ was. So that is your ultimate litmus test, not that you've got specific words to say, whatever they may be saying. It is what is being said. They're consistent with the revelation of God that we encounter in Jesus.
When I was 18 I was just absorbing everything around me: whatever happens, happens. I was so naive and willing to ride whatever wave life threw at me.
I am only a little pencil in the hand of our Lord. He may cut or sharpen the pencil. He may write or draw whatever and whenever he wants. If the writing or drawing is good, we do not honor the pencil or the material that is used, but rather the one who used it.
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
Marion Zimmer Bradley took apart my first submission to her, covered the manuscript in red ink revisions, and told me to try her again. I had never been so reeling with authorial joy as I had been that day, holding Marion's letter and seeing that ravaged manuscript - finally, it meant that someone cared!
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