A Quote by Tessa Blanchard

That is the great thing about Impact - they care about each individual talent and everything that we put out on TV has a lot of thought and time put into it. — © Tessa Blanchard
That is the great thing about Impact - they care about each individual talent and everything that we put out on TV has a lot of thought and time put into it.
The competitive nature definitely sticks out in my mind. Everybody out there is trying to win. Each individual is trying to put up more points. Each individual is trying to put each other on while playing in a team atmosphere.
Is there anyone’s life story you don’t want to know?” “Not really.” His expression was unexpectedly serious. “Because people make a story of their lives. Gains, losses, tragedy and triumph—you can tell a lot about someone simply by what they put into each category. You can learn a lot about what you put into each category by your reaction to them. They teach you about yourself without ever intending to do it—and they teach you a lot about life.
Put every great teacher in a room, and they'd agree about everything, but put their disciples in there and they'd argue about everything.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
The day that I spearheaded the passage of America Fast Forward... the newspaper of record did not put it in the newspaper; what they put was my breakup with my ex-girlfriend. I took umbrage with that. A great newspaper ought to be printing things that people care about, issues that people care about.
What Americans don't care much about is the piffle we put on TV these days, what they don't care about is boring, irrelevant, badly told stories, and what they really hate is the presumption that they're too stupid to know the difference.
A friend of mine had this idea a few years ago. We thought it would be a great way to promote the sport and to put polo in front of a lot more people in an unexpected place: the romance novel. There's a lot of people that care about those kinds of stories, especially women, and it would help people to know what the polo life is all about. It's not just what you see in the newspapers or on Pretty Woman. There's a lot more to it: the time spent in the barn, how much we love the horses, the relationship with the horses and with the family, etc.
I started thinking about how life is a lot like getting pushed out of a plane. You didn't ask to be here, none of us did. But we're all careening through space towards an eventual end that no one's gonna be able to put off. That's the only thing that's definite, this impact. So I started to think about how a lot of us fall at an incredible velocity, and it's over in the blink of an eye.
I don't care about no boxing legacy. I don't care where they put me on the list of all-time greats - let them put me at the bottom.
I put my energy into writing songs. I have to carve out a living somehow doing this, and licensing is one way. It's hard to register what's "too much" for other people. I don't watch TV, so it's tough for me to gauge. I just take it as it comes, and don't put a whole lot of thought into it.
There is a great amount of precision within each individual's technique and role in the play. When you put 22 of them out there, it can look chaotic but when you break down individual performance, it looks less so.
When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.
As a developer, it's a great feeling knowing you have made an impact. There's also a lot of responsibility that goes with that: you have to really put the city's needs first. It's not all about making money.
I don't know much about climate change. But I'm pretty sure we better figure out what to do to lessen its impact - at least its health impact - and that's not going to happen unless you have a lot of young talent interested in these topics.
I'm all about talent. I love talent and I want to work with as much great talent as possible. My job as editor in chief is making the most of everybody's talent and pulling that together into a format that's even better than an individual.
That's the holy grail as a TV writer, to work on a story that you care about and to put it out there and for it to find the audience and connect with fans and connect with critics.
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