A Quote by Tessa Dare
Don’t. Don’t play that game.” His brow pressed to hers. “When I heard you cry out . . . it was like a saber to the gut. I wanted to die.
Related Quotes
He wanted to wake up every morning to her. Go to sleep with his body wrapped tightly around hers. He wanted her to have his child—his children. He knew he wanted to live out the rest of his life with her by his side and when he died, he wanted to die in her arms.
Blue stretched her hand out. Adam took it without hesitation, like he'd been waiting for her to offer it. He said in a low voice, just for her, "My heart is beating like crazy right now." Strangely enough, it was not his fingers twined in hers that affected Blue the strongest, it was where his warm wrist pressed against hers above their hands.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
I wanted to die, then. I wanted to destroy the body I was trapped in, become what she was, no matter what it took. No matter how much mutilation or pain. But he looked away, at me. He pulled my face down and pressed my lips against his like he was almost trying to suffocate us both.
I remember many a time, going into someplace like Wrigley Field - where you could cut the humidity with a knife - and playing a doubleheader. I loved to play the game. It didn't matter if it was a doubleheader, or a single game, or a day game after a night game. I wanted to play.
Look at me Elise. Tell me what you think I’m feeling,” he murmured, then bent his head to hers and pressed his mouth to her parted lips.
They weren't pressed together as closely as normal, but his shoulder bumped hers, then remained there. It was very subtle, and possibly even accidental, but it was enough.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
He dropped the pretense, and dropped his head, so his brow came to rest against the sun-warmed top of hers. His arms went around her and drew her in, and Karou and Akiva were like two matches struck against each other to flare starlight. With a sigh, she softened, and it was pure homecoming to melt against him and rest.
His lips hovered over hers. “No,” he snarled. Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.
His lips covered hers as he laid the gauze on her leg. Fiery pain shot through her flesh as his lips swallowed her cry, then replaced it with such amazing sensation she wanted to whimper in return. He licked her lips. He didn’t steal her kiss. He didn’t take it. He cajoled it from her.
I moved his hair out of his face. I put my hand under his nose and felt gentle, even breaths. I pressed my lips against his ear and whispered again, It’s not your fault. Perhaps this was really the only thing I had ever wanted to say to anyone, and be told.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
The goddess Artemis had a twin brother, Apollo, the many-faceted god of the Sun. He was her male counterpart: his domain was the city, hers the wilderness; his was the sun, hers the moon; his the domesticated flocks, hers the wild, untamed animals; he was the god of music, she was the inspiration for round dances on the mountains.
My father loved to play the game, he never became a professional but when he was younger everyone would say he was good enough and when I heard people talking about him, I wanted to emulate him. So I started to play.
When you deal with a man, deal with his most valuable possession, his life. There's play and there's the deep flow. I like to take things to the deep flow of play, because everything is a game, serious and nonserious at the same time. So play life like it's a game.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist