A Quote by Tessa Thompson

What was so exciting for me about Wakanda and seeing 'Black Panther' was how incredible the women were in it. — © Tessa Thompson
What was so exciting for me about Wakanda and seeing 'Black Panther' was how incredible the women were in it.
I never really thought about the fact that most of the times I saw Black Panther, he was in New York or in some American city doing something cool with the Avengers. I mean, he's the Prince of Wakanda, but we rarely saw him in Wakanda.
The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
The 'Black Panther' series was never really about the Black Panther at all. The State Department guy, Everett K. Ross, was the series protagonist, so politics was simply a logical part of the character's tool set.
What kind of motivated me to join the Black Panther Party was that I, along with some of the comrades that I was working with in New York, had heard about the Black Panther Party, and they were doing things that we wanted to do in New York, and we thought that would be a better vehicle than the vehicle that we had going on in New York. They were better organized, and they already had their Ten-Point Platform and Program, and people already heard about them. So we decided that we would join the party, when given a chance.
When the charge first came up, I hated black women. Then, going to trial, I started seeing the black women that was helping me. It's mostly black female guards. They treat me with human respect.
In 'Black Panther,' I tried to preserve virtually all versions and interpretations of 'Black Panther' - including the Jack Kirby one, which was really tough to do - and make it work within current continuity.
When they call you and say, 'So you want to play 'Black Panther?'' if you know what 'Black Panther' is, there's no way in the world you're going to say no because there's a lot of opportunity for magic to happen.
Black Panther is a historic opportunity to be a part of something important and special, particularly at a time when African Americans are affirming their identities while dealing with vilification and dehumanization. The image of a black hero on this scale is just really exciting.
My mom used to get involved with the Black Panther activities in Los Angeles. For me it was more about how to view my consciousness on these issues with a biblical framework.
The panther is sleek. The panther is sneaky. The panther is covert. Meanwhile, the gorilla will show up and bang on his chest and make noises to warn you about what is about to happen if you continue to cross the line.
With 'Black Panther,' black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.
The 'Black Panther' world taught me about the importance of exfoliating.
When I was writing 'Black Panther,' on one level, I was angry because DC would never let me write 'Batman,' so I was doing Marvel's 'Batman,' and Reverend Achebe became sort of the Joker to Panther's Batman.
There is an entire generation of young people who know nothing about how viciously the FBI attacked The Black Panther Party, and why.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
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