A Quote by Tessa Thompson
Oftentimes in films, the female character, if she's not the protagonist - and often, even if she is - feels like an imitation of what a woman is.
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Even in stories that I like, with a female character that I love deeply, it always feels like there's something that she has to prove to the male characters before she can even get started.
In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
I grew up on comics in the 1960s era, when 'Wonder Woman' was rather silly. She was an interchangeable female character plagued by bad stereotypes. She cried at the drop of a hat, she was worried about how she looked, all of that.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
The protagonist in 'Winter's Bone' was a really good role for a female. She was strong; she didn't have to conform to something or be a sidekick to any man. That's part of what you're responding to; it's a woman-centric situation. Her value in the film was not reliant on any man.
Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.
An interesting question that has been recurring is that she appears to have been this delicate woman in all these films, but really she was a woman of substance wasn't she? And I say yes, you don't get to be Audrey Hepburn if you are a sort of 'babe in the woods.' It takes a lot of character, a lot of vision, good boundaries and hard work.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.
It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.
My mom, who is a very strong Christian woman, will often ask me how some of the characters I play glorify God. Her meaning is that she feels as if every character should be a good Christian character, which is not necessarily my interpretation.
The new female is competent in all that she chooses. She chooses whatever her heart tells her. She can create a business, lead a country, drive a truck, hammer nails, deliver mail, or raise a family. She is at home in every social and physical environment. She can be a housewife, if she chooses. She can be anything else, too. She is intuitive and heart centered. She is all that a female has been, and more.
Vita Sackville-West is one of my favorite female icons. She was a writer and a prolific gardener, but she also had a relationship with Virginia Woolf, and she was married to Sir Harold Nicolson. She was a woman who lived outside of norms.
A woman is often measured by the things she cannot control. She is measured by the way her body curves or doesn't curve, by where she is flat or straight or round. She is measured by 36-24-36 and inches and ages and numbers, by all the outside things that don’t ever add up to who she is on the inside. And so if a woman is to be measured, let her be measured by the things she can control, by who she is and who she is trying to become. Because as every woman knows, measurements are only statistics... and STATISTICS LIE.
The tango is the man and woman in search of each other. It is the search for an embrace, a way to be together, when the man feels that he is a male and the woman feels that she is female, without machismo. She likes to be led; he likes to lead. Disagreements may occur later or they may not. When that moment comes, it is important to have positive and productive dialogue, fifty-fifty. The music arouses and torments, the dance is the coupling of two people defenseless against the world and powerless to change things.
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