A Quote by Tessa Virtue

You put yourself in the public eye. You're kind of an open target. — © Tessa Virtue
You put yourself in the public eye. You're kind of an open target.
As an actor, you put yourself out there. You put yourself in the arena as an easy target.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
There is all the difference in the world between the criminal's avoiding the public eye and the civil disobedience's taking the law into his own hands in open defiance. This distinction between an open violation of the law, performed in public, and a clandestine one is so glaringly obvious that it can be neglected only by prejudice or ill will.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
Many teachers will tell you to believe; then they put out your eyes of reason and instruct you to follow only their logic. But I want you to keep your eyes of reason open; in addition, I will open in you another eye, the eye of wisdom.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
So for those of you falling in love, Keep it kind, keep it good, keep it right. Throw yourself in the midst of danger, But keep one eye open at night.
Instead of shooting arrows at someone elses target, which Ive never been very good at, I make my own target around wherever my arrow happens to have landed. You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.
Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.
I am in the public eye, and I accept that my actions may be open to question.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
I just sing. But I have a fun hobby: I love to do archery. I'm pretty good on target. I'm not sure about the distances - maybe only 7 or 10 feet, so far, but I've scored the bull's eye several times, but usually always hit the target.
There's something about the American sensibility that kind of hails people in the public eye. You have a star system. You have that kind of thing where you say, "Good on you for doing that."
I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.
I spent my whole life avoiding the public eye. At these food shows, I'm open quarry again.
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