Probably the most important aspect of individual defensive play is the 'close-out.' This approach to the ball should be made in a 'step-drag action' with advanced foot moving forward first and then the back foot in a boxer's type shuffling of the feet.
The fact that Science walks forward on two feet, namely theory and experiment, is nowhere better illustrated than in the two fields for slight contributions to which you have done me the great honour of awarding the the Nobel Prize in Physics for the year 1923. Sometimes it is one foot that is put forward first, sometimes the other, but continuous progress is only made by the use of both-by theorizing and then testing, or by finding new relations in the process of experimenting and then bringing the theoretical foot up and pushing it on beyond, and so on in unending alterations.
The human foot has bones and muscles and can balance back and forth. If you step and you maybe make a little mistake, your foot can compensate. But if I step in the wrong spot, my foot isn't going to compensate because it's just one piece of carbon fiber.
Science walks forward on two feet, namely theory and experiment. Sometimes it is one foot which is put forward first, sometimes the other, but continuous progress is only made by the use of both.
From close range the free-kick is taken with inside of the foot. I will take a run-up of two or three steps and take the kick with the inside of the foot and the ball will travel in a straight line towards the goal. If it is a long-range free-kick, then I will use the outside of my foot. The ball will turn in the air and head towards the goal.
As a musician you have to keep one foot back in the past and have one foot forward into the future.
There is a gesture he has, a motion, that always reminds me of a great batter leaning into a hit. He has a way of throwing one foot forward, putting his head down a bit as he silently runs the valves, and then the cheeks bloom out in the way that has mystified his dentist for years, and he hits into the solo. When that foot goes forward like that, you know that John Birks Gillespie is no longer clowning. Stand back.
There was a 3-foot-long model that was built for 'New Hope,' and then there was an 8-foot model that was built for 'Empire Strikes Back.' The 8-foot model and the 3-foot model are kind of different. A lot of the details are different between the two of them.
I feel like I have one foot in New York, one foot in London and one foot in India. But it's important to me to invest time with family.
I had some different positions. At first, I was a forward, and then, step by step, I kept moving back, and now I'm here at the goal. This was my way.
As one of my teachers, Buckminster Fuller, says, we were given a right foot and a left foot, not a right foot and a wrong foot. The point is that, there's always two points of view out there, and we need to increase our ability to allow another point of view. Then we have a better chance for peace.
This sounds really lame, but I'm pretty proud of my feet. I've gotten so many compliments for having nice feet. If someone has a foot fetish, I'd have an in. I love foot rubs, too. I'll take one whenever I can.
I always back myself as a finisher, but I always practise it as well. Every type of finish: left foot, right foot, headers, penalties, free kicks.
I'd thought I'd constructed a really wonderful book, and the teacher told me that my story basically began on page fifty, and that I should throw out everything prior, or figure out a way to weave only the most important information back into the story, and keep the action moving forward. Wow. That was a really humbling experience. A real eye-opener. Made me realize there are so many aspects involved with telling a story.
I was a 6-foot-tall 13-year-old who couldn't play basketball. I moved around all the time as a kid, and at each new school, the coach would say, 'He's the great white hope' - but I couldn't play ball. So my thing was jokes and characters and making fun of myself and being the 6-foot-9 Jewish guy. That was my way into show business.
The two biggest things to understand when you're tracking the ball as a defensive back is your position on the field and understanding that once the ball is in the air you become the receiver. Too many young defensive backs worry about the receiver catching it or what the receiver is doing instead of focusing on what they should be doing. Just go out and make the play yourself, don't worry about him. Know where the ball is and attack it. Put yourself in position to bat it or catch it and make the play.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003