A Quote by Teyana Taylor
Harlem is a stage. It's like its own planet, from the way we dress to the swag in the way we walk and talk.
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My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.
In other words, an instrument should be an extension of you; it's supposed to sound like you - the way you walk, the way you dress, you know.
The way I dress, the way I talk, the way I do things, what I say on Twitter - it's just like, that's who you are, so don't try to mask who you are just because of what other people think of you.
I like to say, 'Once a dancer, always a dancer.' In everything - the way you walk, the way you move, the way you talk, the way you sit - everything is just, you've been trained a certain way your whole life, so it's a bit muscle memory.
I'd like to play with a period piece. Playing a girl next door in 2010 is so different from playing one in 1950, the way you talk, walk, dress, relationships. It's really fun studying all that.
I never got up on stage and thought, 'I'll wear a flowery top so I can talk about dark evil things,' but it just so happens that that's the way I dress.
The more I move on stage, the more people are just drawn to the movement. The way that I walk and my gait - it's very eye catching. And the way my hand hooks and moves on its own - it's almost hypnotic.
Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.
I'm not doing it to pander to people. I just always knew what I liked versus what I don't like. I never liked things with too many zippers or spikes and stuff. That weirds me out. I like things that are pretty. And I think it's great to be pretty. I like being feminine. I think it's good to be feminine. We don't need to look like men or dress like men or talk like men to be powerful. We can be powerful in our own way, our own feminine way.
We can't walk where we want to walk or be who we want to be or dress the way we want to dress or go anywhere any time of day. I am talking about the freedom that comes with just knowing that you're okay, and that you have value and you have identity, and you don't have to keep proving yourself.
I definitely feel like people in the South are a little more raw. Our whole swag, the way we talk... When I go to the East Coast, people automatically know I'm not from there.
The way you walk, way you talk, way you say my name; it's beautiful, wonderful, don't you ever change.
You are not here to please other people or to live your lives their way. You can only live it your own way and walk your own pathway. You have come [here] to fulfill yourself and express love on the deepest level. You are here to learn and grow... When you leave the planet... the only thing you take is your capacity to love!
I like to branch across a lot of different styles and brands in the way I dress; it's just the way my style works. So I love that I can walk into a Target store and think, 'Oh my God, I love these jeans,' and then I'll pair them with something designer.
Sometimes I walk down the street and hear people whisper 'that's Tricky' and I look back, and I see them looking back, then that affects everything I do - the way I walk the way I talk. It stops you being real.
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