A Quote by Teyonah Parris

You look at 'Survivor's Remorse.' Or 'Blackish.' Or Issa Rae's brilliant, funny 'Insecure,' which started out on YouTube but is now on HBO. And you see multifaceted representations of the African-American experience. It's insanely exciting.
I love 'Insecure.' I want to play Issa Rae's sister. I do know Issa Rae, but we ain't besties or nothing.
I'm so inspired by people like Issa Rae who started on YouTube or Abbi and Ilana from 'Broad City' who also started on YouTube.
I love Issa Rae from 'Insecure.'
Issa Rae is a hero of mine, and I'm going to try not to completely creep her out. I love 'Insecure.'
I love Issa Rae. I adore her.
When I looked at 'Dear White People,' you have four African-American students who are all very different and who are trying to figure out who they are. They're dealing with identity issues and crises. That is exciting to me, to see African-American young people on a page, on a screen, who are so diverse and whose stories are all so different.
Exciting underground stuff is easier to find with YouTube than it used to be. You don't have to go to the dive bar in the bad part of town to see a band you would never usually see. My personal experience with it, when I was looking for a new lead guitarist, I was able to stalk guitarists on Youtube. And instead of having a horribly embarrassing auditioning process, I could check out peoples' playing. In some ways, you go into a record shop and the selection is narrower than it used to be with pop ruling the roost, but if you look, there's so much more to be found.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
Whoopi Goldberg, Lily Tomlin, Julia Louis-Dreyfus - I put Issa Rae in that category of comic genius.
My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt very authentic in the moment.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
I love my 'Survivor's Remorse' cast. They are so funny and crazy, like a big dysfunctional family. It's so much fun, and I love the issues that we talk about on that show. We deal with nuanced and controversial issues, and we do it in a way that's funny. It's comedy.
It's a different world now. You look out there and you can see so many people filming with their cameras nowadays. I can go on YouTube and see last night's show if I want to. It's out there.
I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
I see myself as a survivor, and I'm not ashamed to say I'm a survivor. To me, survivor implies strength, implies that I have been through something and I made it out the other side.
Funny enough though, despite what Donald Trump has to say and the way African-American people are portrayed so often in media, African-American people can have a leaning to be very conservative.
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